CISGENDERED OR NOTHING – THE ABSENCE OF LGBTQ+ CHARACTERS IN FILM

by Jess Howard

Earlier this month, Warner Bros and DC released their latest superhero film Suicide Squad, sending mixed reactions across the internet as viewers commented on the film’s plot line and the sexualisation of squad member Harley Quinn. Audience and critics’ opinions aside, what is explicitly noticeable within the film is the lack of LGBTQ+ characters, such as DC character Batwoman, for example if Batman can make a cameo, why not her? In a world with superheroes, Killer Crocs, and witches, why are production companies still refusing to feature LGBTQ+ characters in their films?Continue Reading

DEADPOOL AND SEXUALITY: MINIMUM EFFORT

by Beth Saward

Bringing in a staggering $132.7million, Deadpool had the biggest opening weekend for an R-rated movie, beating The Matrix Reloaded’s previous 2003 record. It’s safe to say that the Merc with a Mouth has been a success. Tim Miller’s direction combined with Rhett Reese and Paul Wernick’s screenplay manage to stay true to the comic’s sense of humour.

Those fans who were worried about how Deadpool’s infamous fourth-wall smashing would translate to the screen weren’t disappointed (even if a beautiful opportunity was missed during Stan Lee’s obligatory cameo). Reynolds, who’s said in interviews that he’s waited 11 years to make Deadpool, plays Wade Wilson with an infectious glee that you can’t help but enjoy. Despite all of this, the film leaves a somewhat unpleasant aftertaste.Continue Reading