by Chris Jarvis
It’s a common cliché that the quality and abundance of political and protest music is directly proportionate to the awfulness of the broader political landscape. The Vietnam War gave us the great American folk singers. The stagnation, unemployment and neoliberalism’s cusp of the 1970s bred punk. Thatcher’s Britain brought us the motley crew of rebels surrounding Red Wedge. The rapid and destructive spread of militant capitalism and imperialism at the end of the Cold War bore Rage Against the Machine. Apartheid in South Africa swelled a wonderful mix of pioneering sounds and firebrand resistance.
Unsurprisingly, 2017 was one of those years – a terrifying political context coalescing into a bumper crop of fantastic radical releases. So with a withering nod to the year that was and with a glint of hope in the sounds of revolution, here are the very best radical musical releases 2017 had to offer.
by Chris Jarvis
On Friday it was revealed that this year’s Christmas Number One was Clean Bandit with Rockabye, their names forever written into the record books, joining some truly excellent pieces of music that have shared the top spot over the years. The Beatles scored a hat-trick in the 1960s. Slade’s ‘Merry Xmas Everybody’ beat Wizzard’s festive effort in 1973. Queen managed it twice, with Bohemian Rhapsody, some 16 years apart. We’ve had Spice Girls, The Human League, and Elvis Presley – all deserving the accolade.Continue Reading
by Mike Vinti
Recently I came across the 2012 film ‘Good Vibrations’. A stirring tale, based on real events, about a man, Terri Hooley (Richard Dormer), who opens a record shop on the most bombed half mile in Europe — Great Victoria Street, Belfast. Terri’s mission is to use music to bring people together as sectarianism tears the city in two. It is through this shop that Terri first encounters punk. For Terri, punk changes everything, and the community of rowdy teenagers that make up Belfast’s scene come to symbolise hope, both for him and the city.