tw: mentions of homophobia, violence
by Alex Day
Belinda twerks on stage, wearing glitter and a pink wig, and the crowd erupts into whoops and whistles. To the sound of Rihanna singing ‘bitch better have my money’, she makes it rain with cash hidden under her bra. Banknotes fly over our heads. The compère for the evening, Cynthia Road, tells us this is the first time Belinda has performed drag and the crowd, equally glitter-garnished, erupts once more.
by Yali Banton-Heath
A massive issue facing the UK at the moment is right under our noses and indeed right under our feet. That issue is land. Though land injustice may stem from historical legislation such as the Enclosure Acts and the shrinking of the commons through large-scale land grabs over past centuries, the phenomenon continues today, with land inequality becoming ever-increasingly stark. Land is moving more and more from public control into wealthy private hands, with land and housing prices rocketing over recent decades as a result of speculative inflation. In 1995 the total value of land in the UK was around £1 trillion, that figure is now more than £5 trillion.
by Alex Day
An exciting commission, held at St Peter Hungate, features a sound installation responding to the history of the church and what these spaces mean in our secular times.
St. Peter Hungate, like many churches in Norwich, no longer conducts services. It is occupied by Hungate Medieval Art, who exhibit stain glass windows and icons, to a more secular public. It’s both a religious site and a heritage site. Throughout this year, a project called Heriligion has commissioned five artists to reflect on the history of this space.
From 19th July to the 25th August, Mira Calix presented ’Sihlabelela’, a sound installation. 12 tape machines (Sony cassette-corder TCM –939), suspended on plinths, play discordant, low quality sound – a collage of echoes. The recorded voices sing ‘we sing together’, over and over, like a ghostly choir. The tapes evoke the crowds that once sang here.
by Tom McGhie
Three o’clock in the morning. You’re lying in a sleeping bag under a workbench in a dark room surrounded by tools and sawdust with a ragged blanket warding off the elements that pour in through the window which doesn’t properly close. The nighttime gale weaves its way into the building, embraces your exposed limbs and extremities and you shudder your brain back into the realm of sleep.
by Sean Meleady
Extinction Rebellion may be getting the most headlines, but another grassroots movement is challenging government and global inaction on climate change. The School Strike for Climate – also known as Fridays for Future, Youth for Climate and Youth Strike for Climate – is a growing international movement of schoolchildren who go ‘on strike’ from school in protest against climate change. Continue Reading
by Joely Santa Cruz
In his new play titled The Ladder, Shȏn Dale Jones explores how our individual and collective choices are influenced through both the stories we choose to tell and the ones we decide to guard.
Nothing Fills a Hole Like a Double Decker: 31 years ago, the City Centre end of Earlham Road imploded after the ancient chalk mine beneath it collapsed in on itself, dragging a Number 26 bus into the hole that it created. Jones begins his performance by questioning the collective inaction and wilful ignorance that propels us into our own holes in the road.
By Ananya Wilson-Bhattacharya
Since the Norwich poetry scene largely consists of current or former students and local writers, a chef originating from Cairo doesn’t seem to fit the mould. But Salah El Nagar has achieved local fame, both for his widely translated Arabic poems, and for his cooking. By day, he runs Ramses Egyptian Food, usually located in the market in the heart of Norwich city centre (he also runs pop-up stalls at venues around the city). By evening, you can find him at the Birdcage, promoting acceptance, diversity, and gender equality through his poignant and witty poems.