by Yali Banton-Heath
A massive issue facing the UK at the moment is right under our noses and indeed right under our feet. That issue is land. Though land injustice may stem from historical legislation such as the Enclosure Acts and the shrinking of the commons through large-scale land grabs over past centuries, the phenomenon continues today, with land inequality becoming ever-increasingly stark. Land is moving more and more from public control into wealthy private hands, with land and housing prices rocketing over recent decades as a result of speculative inflation. In 1995 the total value of land in the UK was around £1 trillion, that figure is now more than £5 trillion.
by Josh Doble
The unassuming small parish village of Southrepps, twenty-two miles north of Norwich, is the surprising location for a memorial to the former pariah state of Southern Rhodesia/Rhodesia – now Zimbabwe. This is not necessarily a well-known site – it was stumbled across during a summer cycle – yet it represents an important space to demonstrate the wider political environment in rural Norfolk, and the area’s connections to right-wing pressure groups further afield. The memorial itself is opposite Southrepps Hall and is made up of an avenue of Tilia Cordata – small-leaf lime trees – and three flag poles hosting the Union Jack, the Rhodesian flag and the original Southern Rhodesian flag. The Sladden family are the ‘Lords’ and ‘Ladies’ of Southrepps Hall and have a close history with Rhodesia, historically being settlers themselves. It would appear that the Sladden family built the memorial to commemorate their connections to the former country and to celebrate its memory.
by Rowan Gavin
It’s been a great year for music in East Anglia’s Finest City. If you’re a gig-goer, you’ll no doubt have come across some of the many up-and-coming Norwich and Norfolk musicians breathing new life into the local scene these last few months. Here, in no particular order, I’d like to present five of the local acts that have most impressed, entranced, and inspired me in 2018.Continue Reading
by David Breakspear
“Don’t do the crime, if you can’t do the time!”. In terms of reform and progress within our penal system, the proverb is about as much use as eating soup with a fork. For a start, how would you know?
Unfortunately, we do need prisons. Ever since Eve – reportedly – ate the forbidden fruit from the garden of Eden, crime has been in existence in human narratives. Crime, either directly or indirectly, affects us all; victims of crime or the family/loved ones/friends of the victim, perpetrator of crime, or, yet again, the family/friends/loved ones of the perpetrators. You may even pay higher insurance premiums due to crime. Crime affects all, therefore, crime is the responsibility of all, especially the prison system.Continue Reading
by Zoe Harding
Article contains strong language.
I went to a counter-protest last week.
Chances are you did too, if you’re reading this. The protest, by a group called Unity UK, was opposite the Norwich town hall and was probably against immigrants, although most of the people there seemed to think it was in favour of Brexit and one chap wanted to Drain The Swamp (an odd choice of slogan in a county that would be little more than Thetford and a lot of dry mud if we drained it, but I digress.) The counter-protest, on the other hand, was a who’s who of Norwich’s local lefties, turning up with drums, flags, megaphones and a generally good-natured if slightly intense demeanor, to stand opposite them and drown them out.Continue Reading
by Ewa Giera
Content warning: xenophobia, discrimination
The Day of the Duck, by Helen Stratford and Lawrence Bradby, takes form of neither a scripted play, nor a novel: intertwined with visual diagrams, elements of script and a simple, character-driven narrative, the book is a unique experience as opposed to a traditional novel. The story revolves around a Muscovy duck, the last of its species in a town heavily based on Ely in Cambridgeshire, whose goal is to discover why its brethren have all disappeared. The book is framed as a noir detective-style plot – the Muscovy duck takes on the role of the detective and asks all the uncomfortable questions to people whose names it’s not concerned with, which serves the aim of having the characters translate as everymen.Continue Reading
By Carmina Masoliver
Having grown up in Norfolk, Will Teather is an artist who has been firmly placed in Norwich, where he works as an Associate Lecturer at Norwich University of the Arts and occasionally takes up residencies, reaching as far as New York. His distinctive style combines traditional skills and imagery, with a psychedelic twist.