With 100,000 people having marched on 23rd June, converging from different corners of the country, in the passionate call for another referendum, and David Davis and Boris Johnson walking away from May’s cabinet shortly afterward, the public’s stance on Brexit and party politics became fortuitously aligned. The Tories are breaking apart just as national apprehension for Brexit reaches its peak and support for the Labour Party increases. As murmurs of another general election hover over the governmental rift, Labour could significantly strengthen its standing by explicitly promising to hold a second referendum as part of a game-changing manifesto.
It was too beautiful to last. The fragile truce established between Labour’s dueling factions after the party’s unexpectedly strong 2017 general election performance disintegrated just in time for this year’s local election campaign.
Despite everything, Labour still made gains, indicating that its simple anti-austerity message continues to have the capacity to cut through the interference generated by chronic internal feuding. But the result was hardly good enough to foster a new outbreak of peace.
by Laura Potts
The noteworthy Norwich art scene is home to many small gallery-like spaces that have a fast and frequent turnover of shows. Spaces such as Yallops, Nunns Yard and Studio 20 are home to a diverse spectrum of work, and as we enter the spring months they have become hives of activity swarming with artists and viewers. These spaces are important, vital – the work and people they house are integral to cultural independence in the city.
(Part 2 of a two-part article. Read part 1 here.)
After ten years of a Tory government, austerity measures and feeding big business, the average person will feel an intense economic squeeze. What is more, because economy is a civilised way of survival – i.e. you do not have to shed blood to achieve dominance or direction – you feel a subjective effect; in this case constriction. You are made to feel more self-conscious, scared, selfish and despondent. If the public sector is being deprived of money and capital is being syphoned into business instead, society will naturally feel more divided and competitive within itself.
(Part 1 of a two-part article. Read part 2 here.)
In the spirit of championing an individualistic, leftist paradigm, I’m redefining the idea of ‘taking the red pill’ – a phrase currently used by anti-feminists on the right – to instead more aptly explore the incredible, remedial impact Corbynite politics could have on our current economic model, and by extension the strained social consciousness with which it is inextricably linked.
There’s something darkly comical about Michael Sheen’s intention to abandon acting in favour of defeating the far right. An esteemed actor, deeply immersed in the world of theatre and art, jetting off to Port Talbot to tell working class Welsh people, caught up in a wave of revolt against the ‘metropolitan liberal elite’, what to do. It couldn’t be any more counter-productive if the embodiment of this elitism, Tony Blair himself, had made the journey — although I suppose someone who has played him is good enough.
by Freddie Foot
A recent poll by Opinium has been touted as a depressing realpolitik electoral brick wall for the Labour Party. The poll on the surface shows a continued – and growing – commitment to centrist politics by the population, represented by liberal wings of the Tory Party and Neoliberal Labour, more than likely bolstered by general apathy.
The prominence of the centre is hardly surprising given that it covers a wide range of opinions and periodically incorporates, and equally periodically abandons, policy from both the left and right. This flies in the face of the idea that the centre of the past couple of decades – based broadly on a socially liberal but economically conservative agenda typified by New Labour and the Cameron years – is over.