In November 2021, as Glasgow swirled with police, delegates and protesters during the COP26 conference, one sound art gallery was hosting a unique performance. There, Norwich band The Neutrinos performed Darkroom, their lockdown-inspired, one-audience member soundscape show which takes place – as the name suggests – entirely in darkness. I caught up with vocalist Karen Reilly about the show, the band’s partner project Klanghaus and their dream Darkroom performance venue.
by Rowan Gavin
Sometimes you go to a gig not quite knowing what to expect. I found out I would be covering The Neutrinos’ recent double-set Norwich Arts Centre show for the Norwich Radical at relatively short notice, and decided on a whim to perpetuate my ignorance of the band’s work until I could hear it live. What I discovered, one December Saturday evening in that beautiful converted church hall, was all the more delightful for my lack of expectation – in fact, I’m not sure that any amount of pre-listening could have quite prepared me for the experience of this show.
By Rowan Gavin and Kasper Hassett
Yes, it’s been a weird old year, but you don’t need us to tell you that. What you do need – what we all need – is some great music to get you through and give you life. Luckily, 2021 delivered that in spades. The following is a not-at-all-comprehensive list of 21 records that we and other members of the Norwich Radical team loved this year, and think everyone should listen to. They’re not necessarily the best out there; they don’t necessarily all say or do anything particularly radical; but we promise they’re all great.
By Rowan Gavin
Since its foundation in 2019, Wild Paths festival has quickly become Norwich’s premier multi-venue live music event. The hotly anticipated 2021 edition of the festival will take place over four days from October 14th-17th, with headliners including Sports Team, Biig Piig and Palace as well as dozens of other acts playing at over 20 venues across the city. With just over a week to go until the festival began, I spoke to Ben Street, festival founder and director, about his experiences of organising the event.
This year’s Last Word Festival at The Roundhouse has been a mixture of online and in-person events. Although I had hoped to be able to attend more events, and accessing the festival hasn’t been easy, it was a pleasure to listen to poets Cecilia Knapp and Alexandra Huỳnh in conversation as I tucked into my dinner at home.
Your local music scene is a hive of energy which fuses together networks of people from all walks of life. It’s as much an awkward social battleground as it is an arena where ideas can be shared and explored in confidence and solidarity; it sustains avenues of expression which promote unity and mutual aid and offers sanctuary for people from disadvantaged and marginalised backgrounds to let off some steam. So as we enter a political chapter dominated by censorship and surveillance, we should all be asking ourselves what we can do to keep it alive.
January 2021 saw the start of the Living Record Festival, which featured over forty artists and theatre companies showcasing digital work, from spoken word audio pieces to mini-web series. It has garnered many four-star and five-star reviews. In this two-part series, Carmina Masoliver discusses her picks of the festival’s most interesting shows. You can read part two here.
By Vyvyan René
On 13th February 2021, the poet Matthew Dickman posted on Instagram: ‘I wish the poem I wrote 14 years ago was still true.’ The poem in question is ‘Chick Corea is Alive and Well’ – an elegy for the jazz pianist, written fourteen years before his death.
Content warning: racism, xenophobia, homophobia, examples of racist abuse
Children in Norfolk schools are usually taught about Black history within the context of the American Civil Rights movement — predominantly through figures such as Martin Luther King Jnr. or Rosa Parks. However, despite there only being a relatively small community in the county, Norfolk has a rich Black history going back centuries, much of which has largely been forgotten.
Norfolk’s music, gig and free party scene is a vibrant stream of colour, with bright red, gold and green gushes moving through the illuminous pool. Reggae, dub, jungle, drum n bass and techno can easily be discovered blaring from a stack of speakers in a venue or elusive field in and around Norwich. Norfolk loves sound system culture, but many of those same people who dance to this music are quiet in the struggle against racism.
“Babylon A Fall,” they shout. But what does that actually mean?