HAPPY APRIL 8TH. LET’S HAVE A PROTEST

by Jonathan Lee

Content warning: article mentions antigypsyism, racism, discrimination and persecution 

Opre Roma, si bakht akana
Aven mansa sa lumnyake Roma.
Roma arise! The time is now.
Come with me, Roma from all the world.

These words were written in 1949 by Žarko Jovanović, a Romani Holocaust survivor, Yugoslav Partisan fighter, and activist. They were put to a traditional melody, and adopted as the Romani Anthem in 1971.

It bears none of the hallmarks of an anthem as conceived in the traditional sense by European nation-states. It is not a hymn or an opera. It’s melody is plaintive, unstructured, reckless even. It does not conceive of a homeland, real or imagined, nor does it call for the unification of a people in a national sense. Instead the lyrics speak of the freedom of the road, freedom from persecution, and the need for unity of Romani people across the world. Amongst many other things, it is fundamentally a protest song.Continue Reading

WHEN WE STAY QUIET WE ARE ALSO MORE POWERLESS – AN INTERVIEW WITH SUNFLOWER BEAN

by Rowan Gavin

Sunflower Bean are a band who know what they’re about. Sitting down with the trio of 22 year old New Yorkers ahead of their show at Norwich Open on March 26th, it becomes immediately apparent how certain they are of their musical and political convictions. Drummer Jacob Faber, guitarist Nick Kivlen, and bassist & vocalist Julia Cumming made quite a splash with 2016’s debut Human Ceremony and its fresh-yet-eerily-familiar blend of indie, punk, psych and alternative sounds.

Having previously visited the Fine City when they supported London alt-rockers Wolf Alice, they returned to headline here for the first time at Open off the back of their entrancing second album Twentytwo In Blue, which was already making waves when I spoke to them three days after its release.

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IT’S GOOD TO SPEAK EVEN IF NOBODY IS LISTENING – AN INTERVIEW WITH THE HANDSOME FAMILY

by Lewis Martin

On March 20th I had the pleasure of interviewing The Handsome Family as a part of their tour for the 20th anniversary of their album Through the Trees. I interviewed Rennie Sparks, half of the band’s duo, about the difference the band offers from the usual Americana band (and if they are even an Americana band), what it’s like releasing music under your own label, and if being in the spotlight makes their message more powerful.Continue Reading

THE ONLY WAY WE KNEW HOW TO DO IT WAS THE WAY THAT WE DID IT – AN INTERVIEW WITH THE BELLRAYS

by Rowan Gavin 

Since their formation in the early ‘90s, Californian Rock & Rollers The BellRays have befuddled the expectations of music media and the industry, just as much as they have thrilled audiences. They’ve taken an open-minded approach to the genre that has defined American music for the past seven decades, and they’ve been an independent outfit that whole time.

The BellRays have self-published their nine albums through a variety of independent labels, including Upper Cut and Alternative Tentacles. 2017 saw the release of EP Punk Funk Rock Soul vol 1, the long-awaited follow up to 2010’s Black Lightning, and last month gave us the album-length Punk Funk Rock Soul vol 2. I caught up with Lisa Kelaula & Bob Vennum, the band’s permanent members, before they went on stage at Norwich Arts Centre last Friday.Continue Reading

TRUTH, SYSTEMS, GOVERNMENT AND HIERARCHIES – THE AUDIT

by Hannah Rose

It’s now ten years since the global financial crisis, the most significant economic meltdown since The Great Depression in the 1930s. What better way to mark the event than by going to see  The Audit (or Iceland, a modern myth) at Norwich Arts Centre on 21st March? Taking on the voice of a nation which spoke out against the accepted narratives succeeding the 2008 financial crash, Proto-Type theatre’s latest work speaks to the powerless about the powerful.

A medley of performance, text, animation, music and myth-busting promises shine a light on new perspectives of the systems, government and hierarchies that have shaped recent global politics. Be warned: this is theatre that will turn the truth inside out.

This is the second piece of political work by Proto-Type, following A Machine They’re Secretly Building about surveillance in our modern times. Rachel Baynton, Gillian Lees, and Andrew Westerside are multi-disciplinary artists who lead the group, and also support young artists across the globe in making and performing original works.

Come and support this movement of myth-busting and truth telling…

Featured image via NAC, by Adam York Gregory

 


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FEMINIST ANTHEMS TO SEE YOU THROUGH 2018

by Carmina Masoliver

It is so easy to feel overwhelmed by the state of the world, in which we are mostly powerless to create a dramatic change. Yet music offers us respite, and re-energises us to continue fighting for what we believe in, bringing us together and making us stronger. 

So the annual return of International Women’s Day and Women’s History Month, seemed like an prime opportunity to round up some incredible feminist anthems from the past year, and celebrate some of the best artists around at the moment. All these tracks deserve to be heard on repeat, as they serve to get us pumped up for a month of marches, activism, and empowerment.

Share your favourites in the comments below.

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REVIEW: SPOILS, BY JAMES BROOKES

by Lewis Buxton

Spoils is a poised and lyrical second collection from James Brookes. One of the first publications from new independent press Offord Road Books, Spoils enters the world at a time when nationalism, truth, and accessibility to literature are at the forefront of political and poetic conversation.Continue Reading