by James Anthony
So much is written about institutions which are culturally important to us. Visual arts, music and literature — to give some examples — are all vital art forms for Norwich and are rightly given a lot of local attention. They allow people to experience different aspects of life and opinions whilst inspiring and intriguing across the city. It can be a minor hobby for some, but a whole life for others. These arts enhance so many lives and need to be protected for the good of the citizens of Norwich. We often hear that arts funding and exposure is in a crisis (and this is an important discussion) but so is something else which I worry may be overlooked by the progressive media.
Football, while not exactly a form of art, holds many of the same characteristics as art institutions when employed on a citywide scale.Continue Reading
by The Norwich Radical
2016 was a bleak year for many. Across the world, the forces of liberty, of social progress, and of environmental justice lost time and again in the face of rising fascism, increased alienation, and intensifying conflict. That notwithstanding, there have been moments of light. In the Austrian Presidential election, the electorate confirmed the independently Green candidate Alexander van der Bellen; the #noDAPL water protectors gained a soft victory in early December; in fact, there is a full list of positives from the past year, if you want cheering up.
2016 saw our team expand to more than 25 writers, editors, and artists as well as host our first ever progressive media conference, War of Words. Our readership has grown from 5,000 per month to more than 6,500 per month. In total, nearly 80,000 people have read content on The Norwich Radical website this year.
In 2017, The Norwich Radical will turn three years old, with plans to grow our team and publication more than ever before. We’ll also be returning to Norwich to bring debate and discussion on the future of the media, with War of Words back for a second year. Continue Reading
by Chris Jarvis
On Friday it was revealed that this year’s Christmas Number One was Clean Bandit with Rockabye, their names forever written into the record books, joining some truly excellent pieces of music that have shared the top spot over the years. The Beatles scored a hat-trick in the 1960s. Slade’s ‘Merry Xmas Everybody’ beat Wizzard’s festive effort in 1973. Queen managed it twice, with Bohemian Rhapsody, some 16 years apart. We’ve had Spice Girls, The Human League, and Elvis Presley – all deserving the accolade.Continue Reading
by Carmina Masoliver
I’m not usually one for instrumental music, or music where I don’t understand the lyrics. Perhaps as a writer, I cling onto the words to evoke feeling. Perhaps this is also the reason why writing about music proved to be truly ineffable on a ‘Words and Music’ module I took at UEA, leaving me with a respectively low grade. I have been to operas and seen classical orchestras, willing myself not to be bored, trying not to fall asleep.
Often, I pretend to myself that I enjoy these things, or that at least it was “an experience”. I don’t like to reject a whole genre of music, so that is not my point here. I wouldn’t desecrate classical music as a whole, yet believe that we all have particular music tastes. For example, instrumental band 65daysofstatic are able to provoke emotions and excitement without the need for words, to me. Similarly, I was recently able to enjoy a performance of flamenco in Córdoba, and it happened both while instrumental, and without understanding the lyrics.Continue Reading
by Candice Nembhard
From terror attacks to constitutional changes, there is no doubt that 2016 will go on record for being an insanely dismal year. To paraphrase Ginsberg’s Howl, ‘I saw the best minds of my generation destroyed by bigotry, fear and greed’ (or something like that).
However, despite certain adversities and geopolitical setbacks, much was gained by the likes of small yet vocal communities campaigning for drastic change. With the help of social media and public platforms, we have seen a burgeoning of new safe spaces for women of colour, nonbinary folk and creatives alike. It goes without saying that their good and honest work should not go unnoticed, nor should it be underrepresented.
By Rowan Gavin
And they will run to the highest hill, consult their old books
Ask the dead mystics for wisdom they don’t trust
– Kate Tempest, Don’t Fall In
Kate Tempest’s latest album Let Them Eat Chaos is probably the most insightful and important work to be produced on this small island this year. On Monday night, Tempest and her band performed it in full, without interruption, to an enraptured crowd of strangers at the Waterfront in Norwich. Witnessing this storm of synths, bass, drums and words – words fleeting and clear as raindrops in a monsoon downpour – was an incredible experience.
by Hannah Rose
Art Fair East (AFE) is an annual contemporary visual art event showcasing emerging and established artists from East Anglia and around the globe, hosted by artists, galleries and dealers in St Andrews Hall – Norwich. 2016’s event was a hive of curiosity and arty repartee, with artists and agents on hand to engage and interact with visitors.Continue Reading