STORY AND SONG – AN INTERVIEW WITH SKINNY LISTER

By Rowan Gavin

Skinny Lister play one hell of a live show. In fact, so raucous and rousing are the London six-piece folk outfit’s performances, I’ve yet to encounter any journalism about them that doesn’t start by stating that fact – and I see no reason to change that here. With guitar and accordion and their ever-present flagon of rum, they set the Norwich Arts Centre a-jumping last Friday night, just as they did the Waterfront on their last visit to Noz in late 2017. This time, I was lucky enough to sit down with frontwoman Lorna Thomas in the bar beforehand, to talk all things Skinny.
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FIVE NORWICH BANDS TO WATCH IN 2019

by Rowan Gavin

It’s been a great year for music in East Anglia’s Finest City. If you’re a gig-goer, you’ll no doubt have come across some of the many up-and-coming Norwich and Norfolk musicians breathing new life into the local scene these last few months. Here, in no particular order, I’d like to present five of the local acts that have most impressed, entranced, and inspired me in 2018.Continue Reading

20 BEST RADICAL MUSICAL RELEASES OF 2018

by Chris Jarvis

We return with a round-up of the best radical music from the past year!
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TO BE A FEMALE PERFORMER – ABUSE AND HARASSMENT IN THE MUSIC INDUSTRY

by Tom McGhie

Content warning: sexual harassment, sexual abuse, misogyny

There are few greater feelings than when an artist connects with their audience at a gig, something more than just applause and guitar chords. Most people have, at some point in their lives, attended a gig which has stuck in their memory because of that very exchange between performer and public. This visceral communication is what propels music as one of the most important art forms; it brings people together in an ever-dividing societal sphere.

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PROPER MUSICIANS – AN INTERVIEW WITH SHAME

By Rowan Gavin

Scions of the much-lauded South London guitar band scene Shame made their Norwich gig debut on Monday, captivating a packed-out Waterfront with their riotous stage presence and uniquely mesmerising sound. At times unsettling, at times brutalist, always evocative – if you’re into your post-punk, past or present, you’ll have heard something like Shame, but nothing quite like the orchestrated noise of their live show.

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“EMPOWER AND UPLIFT” – BOHEMIAN RHAPSODY REVIEW

by Carmina Masoliver

There is a challenge when it comes to depicting figures that are as familiar to us as Freddie Mercury. First meeting a young Farrokh Bulsara, we are endeared to him from the onset, and taken into his world in a way that means we feel for him, even when he acts out later along the line.

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GRLWOOD – DADDY REVIEW

by Carmina Masoliver

I don’t know about you, but sometimes there is nothing like cathartic screaming vocals to accompany me as I walk through busy city streets. For this reason, I’ve spent the past few weeks with GRLwood’s ‘scream-pop’ album ‘Daddy’ on repeat. The title itself seems to allude to dom men in sexual relationships, which is explored in the track ‘I’m Yr Dad’. Here, the lead singer takes on this dominant role, repeating the track title as drum beats build up and guitars join in until it becomes a scream. Fronted by Louisville’s guitarist Rej Forester and drummer Karen Ledford, who have described themselves as ‘2 angry lesbian genderfuck feminists’, the song explores ideas that poet Lisa Luxx expressed in an article for Slutever recently in terms of the use of strap-ons in queer relationships, as though ‘the general consensus is that a cis woman’s body is incomplete as a sexual tool, and dick is needed because dick represents sex.’

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