#KILLTHEBILL PROTESTS – WHO GETS TO DECIDE WHAT COUNTS AS VIOLENCE?

By Howard Green

The most important intergovernmental organisation of the last year, the World Health Organisation, defines violence as:

the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, that either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation.

The media in this country have used the terms ‘violence’ and ‘violent’ to categorise the recent civil disruption surrounding the Kill The Bill protests. Norwich’s recent protests couldn’t be called ‘violent’ by any stretch of the imagination, but there have still been reactionary responses attempting to write off their importance, including from the EDP. However in the case of places like Bristol, the word ‘violence’ has been openly used against protestors by the media and influential reactionary figures.

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NO LONGER THE PRESIDENT, NEVER THE PRINCE: STOP CALLING TRUMP ‘MACHIAVELLIAN’

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By Howard Green

The last days of Trump have come at last, heralding an inevitably vast amount of journalistic analysis. Trump has been criticised continually through his presidency from many angles by commentators across the media spectrum. Now, as we seek to understand the terrifying exceptionalism of the past four years, classical political thought has once again reared its head. In order to criticise Trump, many invoke writers who have become associated with a collective anxiety – Orwell, Kafka, and, most frustratingly, Machiavelli. Niccolò Machiavelli and his writings have been associated with despotism and evil ever since his works were placed in the Index Librorum Prohibitorum by the Catholic church. But to describe Trump as Machiavellian is a misunderstanding of the controversial but frustratingly correct political theorist who warned against tyrants like him.

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PRIVATISE(D)EVASTATION

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By David Breakspear

Cw: suicide, self-harm

“The one thing that doesn’t abide by majority rule is a person’s conscience.”

Atticus Finch, To Kill a Mockingbird

Once again, we witness more self-inflicted deaths in custody routinely followed by lessons not being learned, recommendations being ignored, and worst of all — even in cases where an inquest jury has delivered a unanimous decision on a failure to provide an individual with a duty of care — no action being taken against those who failed to provide the care that loved ones and families of those in prison have a right to expect.Continue Reading

THE HORROR OF CHILDREN

by Robyn Banks

CW: contains strong imagery of graphic and horrorific nature

Children have always had a pivotal role in the Horror genre. Often presented as the reason for the eventual defeat of the monster or villain, they demonstrate something we can physically see in our day to day lives and, for the most part, wholeheartedly love. However, children are not always the point of redemption in Horror. There have been a number of movies which juxtapose the role of the child against the norm, and present the child as the very reason that the horror exists. this paradoxical use of the child, I’d argue, is in fact even more frightening than usual because of the breaking of the naturally presumed innocence of child that is usually presented to us.Continue Reading

FUCK FUTURE FINANCE – THE FRIGHTENING REALITY OF PRIVATE STUDENT LOANS

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By Robyn Banks

CW: mentions suicide.

Sometimes targeted adverts reveal to you more than you wanted to know. I’ve recently been experiencing facebook ads for Future Finance, a company that offers loans of up to £40,000 to students, with an interest rate of 17.45% APR for all the time that you’re studying. To put that in perspective, if you borrowed £7000 over 5 years, you’d have repaid a stonking £11,223 by the time you’ve paid it off. This eye watering example reveals both the current state of Higher Education financing and a frightening future that is increasingly intruding on the present.

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FOR A LATE PENNSYLTUCKY ANARCHIST – REMEMBERING ERIK PETERSEN IN 7 SONGS

by Chris Jarvis

Content warning: mentions police violence, state violence, alcoholism

July 14 is a day of mourning and remembrance for the punk community. Two years ago on that date, the folk-punk pioneer Erik Petersen passed away. Founding member and frontman of the iconic Mischief Brew, Erik Petersen was one of the most gifted songwriters of his generation. His music will long be remembered for its infectiousness, its unique storytelling, its wit, its rawness and its inflammatory radicalism.

Two years on, we remember Erik Petersen through seven of his greatest songs.Continue Reading

UEA: BANKING ON IMMORALITY

by Robyn Banks

If it’s not one thing it’s another with UEA. Weeks after their announcement that they’ve finally divested from fossil fuel companies, People and Planet UEA have discovered that the university has nearly £23 million invested with Barclays Bank. This won’t be particularly surprising to most – there is a branch on campus after all – but it shows the university’s ongoing decision to disregard the unfolding environmental and ethical situation of the world it operates in.

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REVIEW: BRIDGES @ SPACE STUDIOS NORWICH

by Laura Potts

‘If anything, art is…about morals, about our belief in humanity.
Without that, there simply is no art’

Ai Weiwei

Norwich’s own Space Studios hosted Bridges, a fascinating exhibition by artists Marcia X and Karis Upton, earlier this month. Entering through a small alley, I climb stairs up to the first few works, which I find in a dark setting, immersing me in the exhibition. Up another staircase, long enough for me to begin reflecting on what I’ve seen, is a much lighter space, with works hung from the sloped ceiling. Afterward, I’ll go on reflecting for some time – the themes and issues that Bridges explores are of such magnitude that every viewer is forced to sit up and listen.

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REVIEW: THE CIRCLE, BY DAVE EGGERS

by Eli Lambe

Dave Eggers’ The Circle, both the book and the recent feature-length adaptation, is a dystopia formed around a Facebook/Apple/Google/Amazon-esque corporation, one which hosts and shares almost every aspect of its users lives. The novel does a remarkable job of capturing the subtle ways in which this model is marketed to us, how this format of data-as-product is often shrouded in apparently progressive buzzwords – community, accountability, transparency, participation – whilst the company which operates under this model does so under the same values as every other corporate entity.

There is a veneer of progressivity and respectability that companies adopt in order to retain and gain customers – like Facebook making it easier to harass trans people, or implementing guidelines that protect white men but not black children, and at the same time, for one month of the year, patchily providing a rainbow “pride” react to the users who liked lgbt@facebook. Perhaps not as extreme as Eggers writes in The Circle, but eerily close enough: “Anytime you wanted to see anything, use anything, comment on anything or buy anything, it was one button, one account, everything tied together and trackable and simple, all of it operable via mobile or laptop, tablet or retinal.”Continue Reading

DIRTY MONEY – HOW ETHICAL ARE OUR UNIVERSITIES’ INVESTMENTS?

by Laura Potts

Each university is different from one another. Moreover, they are very different from most other institutions of all types. On one hand they are educational institutions; on the other they are businesses. As businesses they make investments, though this is not something we would usually think of as a priority of educators. It is worth taking the time to investigate what your university is truly involved with and if their investments are ethical, not only for moral peace of mind but also to have a clearer idea of what your tuition fees are being put toward.

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