JACOB REES-MOGG, JEREMY CORBYN, COURTESY AND CONVICTION

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by Justin Reynolds

Writing in the midst of Europe’s interwar turbulence, the Italian political theorist Antonio Gramsci observed that ‘the old world is dying away, and the new world struggles to come forth: now is the time of monsters.’ Though contemporary parallels with Gramsci’s troubled world can be overplayed, these transitional times have spawned, if not monsters, an impressive array of fabulous beasts.

Donald Trump is President of the United States. Self-proclaimed socialist Bernie Sanders almost won the Democrat nomination. Silvio Berlusconi is once again on the verge of becoming the leading powerbroker in Italian politics. Jeremy Corbyn emerged from the deepest political wilderness to lead the Labour Party.

If, as the Brexit negotiations intensify, Theresa May’s vestigial authority finally fades away, the Government may have little option but to take a chance with a charismatic leader able to hold it together through sheer force of personality. And it is no longer absurd to suggest that, just as Labour members insisted on Corbyn, the Tories might turn to his mirror-image, Jacob Rees-Mogg.Continue Reading

GEORGE OF THE DEAD: THE RADICAL CINEMA OF GEORGE A. ROMERO

by Jack Brindelli

George A. Romero passed away in his sleep on 16th of June 2017, after a short battle with cancer, at the age of 77. Over a long, incredible career spanning five decades, Romero rightly earned his reputation as a, perhaps the, Master of Horror.

Through films like bio-weapon conspiracy The Crazies (1973) and Martin (1978) – a film where a young man whom today’s media would undoubtedly call a ‘disturbed loner’ indulged his patriarchal privilege, through vampiric acts of sexual violence – Romero drew out the political unconscious that underpins so much of our societal mythology. While he did branch out however, he devoted the majority of his best years to the sub-genre which made his career, and which will undoubtedly see him immortalised.Continue Reading

INTERESTING PEOPLE

by Alex Valente

Original Italian by Laura Accerboni (1985-), from ‘La parte dell’annegato’

We are interesting
people.
Our arms are
interesting
as are our teeth,
every sign of resistance
shows something interesting.Continue Reading