From the first Red Scare in the US, terms like ‘communism’, ‘socialism’, and ‘anarchism’ have been subject to suspicion and scrutiny. Despite describing common views, they are considered subversive, chaotic and threatening, and cause others to be wary. Many of society’s role models, however, have been communists – especially those most associated with struggles against oppression, imperialism and bigotry. Forgetting this is no accident: when centrists and the right-wing express a shared sense of pride for achievements in activism, they place history under a rose-tinted lens, carefully side-stepping mention of their role in enforcing the barriers which required lifting in the first place.
Whether it’s Janet Jackson in a purple latex suit, TLC in a spaceship or Aaliyah in the headlights of a motorbike, it is no secret that visual and artistic concepts among RnB artists were undoubtedly ahead of their time. The late nineties/early noughties saw many artists make use of developments in CGI/Camera Technology, fashion, specially-designed sets, and shooting locations. Directors such as Hype Williams and Dave Meyers, noted for their work with Missy Elliot, have gone onto make iconic if not classic visuals young music lovers still reference to this day.
by Josh Wilson
I wrote an article a few weeks ago about how there is no chance for anyone to win outright in Syria. Since that article the tragic events in Paris have taken place and leaders from around the world alongside ordinary citizens have reacted to the news. As with all heartbreaking events, reactions have been fuelled by emotion, with the debate surrounding tricolore Facebook photo becoming a heated element of reaction to the atrocity. Many took up the option offered by Facebook to drape the French flag over their profile picture. I do have my reservations about this, mostly regarding Facebook picking and choosing which tragedies to offer this show of solidarity for. However, in a time of grief and high emotion I think this is a debate best left for another time.