‘BURN THE WITCH’: AN OVER-DUE DEFENCE OF AMBER HEARD IN A MANIACALLY MISOGYNISTIC MEDIA

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by Sunetra Senior

Content warning: abuse, domestic violence, sexism

It is difficult not to be polarised on any given topic in the explosively divisive climate we are living through. However, emerging from the sensationalism is an irrefutable objective truth in the high-profile trial, where megastar Johnny Depp is suing his ex-wife, up-and-coming actress Amber Heard, for $50 million over editorial defamation: a clear example of inherent misogyny of the media. Heard penned her self-professed subjective piece in The Washington Post, supportively discussing a ‘Transformative Moment for Women’ during the height of the #MeToo campaign. The article, which was read out during the trial as part of Heard’s opening statement, was intelligently and boldly written, focussing on the actress’ harrowing experience of speaking out as female victim of domestic violence and the progressive change within the industry that she wishes to see. Further to this, there was no mention of Johnny Depp specifically or any of the personal accounts, currently being spewed out in public, due to his bringing her to court.

It is worth remembering that Depp lost his prior lawsuit against The Sun for referring to him as ‘abusive’, and in which the British judge found him guilty on 12 counts of the alleged domestic violence. To use the defendant’s own words in court then, he has ironically made democratic activism solely “about him.” 

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MADE BY SEA AND WOOD, IN DARKNESS BY ALEXANDROS PLASATIS – REVIEW

By Carmina Masoliver

Content warning: references to and short descriptions of sexual harassment, sexual violence, xenophobia, homophobic & transphobic abuse.

Made by Sea and Wood, in Darkness, the debut novel by Alexandros Plasatis, weaves together a collage of stories that tell the experience of Egyptian immigrants in Greece through a variety of voices. The stories are primarily set in and around Café Papaya in Kavala, where Pavlo the waiter works nights, acting as both a main character and an observer of the Egyptian fishermen. In snapshots of a male underworld, violence dominates this narrative, as the central female character Angie the barmaid fights against being cast as a victim.

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SICK THREADS – ILLNESS AS AN AESTHETIC

By Vyvyan René

In Sanatorium, Abi Palmer likens illness to a ‘lack of access’ to the world. But could we view this feeling of being ostensibly unmoored from reality as merely a different manifestation of it? Ableism is a prerequisite for the doctrine of optimum productivity and consumption endorsed by capitalist ethos, rendering healthcare essentially meritocratic. For women, BAME people, marginalised genders, queer people and anyone lacking cultural capital, who consequently struggle to be taken seriously by medical professionals (an experience that Palmer vividly evokes), performative illness becomes a grim necessity.

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GLINNER’S GONE – WHAT NEXT IN THE FIGHT AGAINST TRANSPHOBIA?

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By Robyn Banks

Content warning: discussion of transphobia, genitalia

In June, the news broke that Graham Linehan, former comedy writer turned full time transphobe, was finally removed from twitter for his continued attacks on the trans* community. Whilst it is positive that twitter is finally taking the action that the trans* community have long been asking for, this should have happened years ago, when Linehan started doxing people who dared challenge him.

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FUCK OFF, TERFS: DISPATCHES FROM THE INTERNET HATE MACHINE

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by Zoe Harding

Content warning: article contains strong language and mentions transphobia, rape, death threats, online harassment, homophobia, biphobia and bi erasure.

So this week a friend of mine said something on Twitter about accepting transgender people as people, regardless of genitalia. One of those reasonable discussions that occasionally ensue on the internet ensued, and ended with her getting dog-piled with sufficient angry, hateful messages to nearly crash her ageing iPhone and accusations ranging from homophobia to gaslighting and advocacy of corrective rape. While the barrage of tweets from a dozen accounts was polite by online discourse standards (for ‘polite’, read ‘no swearing but massively condescending, dismissive, pompous and worryingly intense’) the death threats and abuse that followed in private messages was significantly less so.

Once more, my friend had attracted the ire of the TERFs.Continue Reading

THINGS ONLY WOMEN WRITERS HEAR AND THE TROUBLE WITH TWITTER

by Hannah Rose

Virginia Woolf stated in her 1929 seminal essay A Room of One’s Own that, because women remain unequal to men in society, they are less likely to succeed as writers. A writer has two basic requirements in order to write productively: an independent income which provides basic necessities—food and shelter— and uninterrupted writing time. In 1929, the majority of British women were either working to provide the basic necessities for others, and did not have a private space in which to pursue a creative life or an independent income. This, says Wolf, is why the literary canon is dominated by men. “Intellectual freedom,” she writes, “depends upon material things.”

Almost a century later, some women are still having to argue their right to a creative life.Continue Reading

ROAR: RAISING FUNDS FOR WOMEN’S REFUGES

by Tim Forster

Content warning: mentions domestic violence and abuse. 

As we know the Tories’ so-called austerity has been an attack on the working class — the economics of class war if you like —but cuts in public sector jobs, benefits and social services have hit women particularly hard.Continue Reading

THE LEFT’S IMAGE PROBLEM

by Zoe Harding

We have an image problem, you and I – yeah, you and I. Us. Lefties. Radicals. The chances are – if you’re reading this site – that you’re fairly left-wing. You’re a general believer in the doctrine of ‘don’t be a dick to other people’ with the sub-clause of avoiding ‘fuck you, got mine’, even if our specific approaches to doing so differ. I’ll be speaking in very general terms in this article, because I have 1000 words to work with.

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