Content warning: references to and short descriptions of sexual harassment, sexual violence, xenophobia, homophobic & transphobic abuse.
Made by Sea and Wood, in Darkness, the debut novel by Alexandros Plasatis, weaves together a collage of stories that tell the experience of Egyptian immigrants in Greece through a variety of voices. The stories are primarily set in and around Café Papaya in Kavala, where Pavlo the waiter works nights, acting as both a main character and an observer of the Egyptian fishermen. In snapshots of a male underworld, violence dominates this narrative, as the central female character Angie the barmaid fights against being cast as a victim.
In Sanatorium, Abi Palmer likens illness to a ‘lack of access’ to the world. But could we view this feeling of being ostensibly unmoored from reality as merely a different manifestation of it? Ableism is a prerequisite for the doctrine of optimum productivity and consumption endorsed by capitalist ethos, rendering healthcare essentially meritocratic. For women, BAME people, marginalised genders, queer people and anyone lacking cultural capital, who consequently struggle to be taken seriously by medical professionals (an experience that Palmer vividly evokes), performative illness becomes a grim necessity.
Content warning: discussion of transphobia, genitalia
In June, the news broke that Graham Linehan, former comedy writer turned full time transphobe, was finally removed from twitter for his continued attacks on the trans* community. Whilst it is positive that twitter is finally taking the action that the trans* community have long been asking for, this should have happened years ago, when Linehan started doxing people who dared challenge him.
by Zoe Harding
Content warning: article contains strong language and mentions transphobia, rape, death threats, online harassment, homophobia, biphobia and bi erasure.
So this week a friend of mine said something on Twitter about accepting transgender people as people, regardless of genitalia. One of those reasonable discussions that occasionally ensue on the internet ensued, and ended with her getting dog-piled with sufficient angry, hateful messages to nearly crash her ageing iPhone and accusations ranging from homophobia to gaslighting and advocacy of corrective rape. While the barrage of tweets from a dozen accounts was polite by online discourse standards (for ‘polite’, read ‘no swearing but massively condescending, dismissive, pompous and worryingly intense’) the death threats and abuse that followed in private messages was significantly less so.
Once more, my friend had attracted the ire of the TERFs.Continue Reading
by Sara Harrington
A series exploring women and genderqueer identities within the DIY Punk and Arts scenes. In this installment Sara Harrington depicts scenes from her own experience playing in a touring ska punk band.
by Hannah Rose
Virginia Woolf stated in her 1929 seminal essay A Room of One’s Own that, because women remain unequal to men in society, they are less likely to succeed as writers. A writer has two basic requirements in order to write productively: an independent income which provides basic necessities—food and shelter— and uninterrupted writing time. In 1929, the majority of British women were either working to provide the basic necessities for others, and did not have a private space in which to pursue a creative life or an independent income. This, says Wolf, is why the literary canon is dominated by men. “Intellectual freedom,” she writes, “depends upon material things.”
Almost a century later, some women are still having to argue their right to a creative life.Continue Reading
by Sara Harrington
CW: verbal and sexual assault
Part of a series exploring women and genderqueer identities within the DIY Punk and Arts scenes. In this installment, Sara Harrington depicts scenes from her own experience playing in a touring ska punk band.
Trumpet case in hand, I try to enter the venue as my bandmates breeze on by.
‘I’m playing actually.’
This is uttered with an embarrassed air, the knock to my ego glances across my face. Fair enough, I’ve not been in the band long.
‘Oh, who are you with? There’s no guest list.’
‘Sorry, I play trumpet in the band.’
Lifting my trumpet case, I point at it awkwardly. A nod as it’s decided that I pass all requirements necessary to gain free entry to a show I’m playing. I go to join my bandmates as we pile our gear into the backroom and start setting up for sound check.Continue Reading
by Tim Forster
Content warning: mentions domestic violence and abuse.
As we know the Tories’ so-called austerity has been an attack on the working class — the economics of class war if you like —but cuts in public sector jobs, benefits and social services have hit women particularly hard.Continue Reading
by Zoe Harding
We have an image problem, you and I – yeah, you and I. Us. Lefties. Radicals. The chances are – if you’re reading this site – that you’re fairly left-wing. You’re a general believer in the doctrine of ‘don’t be a dick to other people’ with the sub-clause of avoiding ‘fuck you, got mine’, even if our specific approaches to doing so differ. I’ll be speaking in very general terms in this article, because I have 1000 words to work with.
by Alice Thomson
I’ve known a few women who’ve said, “I would never get married. I wouldn’t be a good feminist if I did.” What does it mean to be a ‘good feminist?’ Do we even want to be feminists, especially when feminists are frequently derided as man-haters? How did it come to this? I always thought feminism was about gender equality. From an uneducated standpoint I understood it to be a movement designed to create equal opportunities for women within work, politics, home and social life, but it seems to have become so much more than this. Feminism means different things to different people. I’m no expert on the subject, but I’d like to think I am a feminist even though I’ve never read a book on the matter. So I decided to try and educate myself – and here is what I understand: