THE GREAT COPYRIGHT SCAM

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by Alex Valente

Consider this example: Marvel Comics publishes Spider-Man, Sony makes a Spider-Man film or videogame, and your local queer fan-artist sells an art zine or print inspired by that film. There is a cost associated with each of these items: the floppy or trade collected comic; a cinema ticket or streaming subscription; the art print itself. But, there is no ethical consumption. ‘Illegally’ downloading or streaming the film, torrenting or finding a hosting site for the comic, or pirating the zine are all the same act: you are overcoming the monetary gatekeeping of art. With one exception: if you ‘steal’ from Marvel, Sony or any other megacorp you might even be doing some good (with reservations); if you do it to an artist who is trying to pay their bills, you’re an asshole.

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“MILITANT ANTIFASCISTS BY ANY MEANS NECESSARY” – AN INTERVIEW WITH DASKO OF RED UNION

by Chris Jarvis

There are a few bands whose influence flutters through generations, transcends time and knows no geographical borders. Joy Division, Metallica, Kraftwerk, David Bowie. In the punk scene, the influence of The Clash is far greater than even their seminal contemporaries such as The Damned, Ramones and Sex Pistols. In fact, save perhaps for later acts Operation Ivy, Minor Threat and Refused, the level of impact they have had on music goes unrivalled. Talking to Dasko of Serbian punk rock band Red Union for our series Music That Matters, it is evident that The Clash’s rebel rousing of the late 70s has made its way into the hearts of this Novi Sad band.

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