by Nicholl Hardwick
Content warning: article discusses mental health, depression and anxiety.
The mind has been described as ‘the element of a person that enables them to be aware of the world and their experiences, to think, and to feel; the faculty of consciousness and thought’ The mind controls the ways in which we relate to the world outside of our own heads, or in other words, the way we connect with reality
A state of ‘good mental health’ is when an individual is able to not only psychologically manage, but also thrive in the world around them. We live in an increasingly complex society with unique pressures, therefore, good mental health means that an individual is able to understand society cognitively and respond appropriately to everyday situations with the expected level of emotion, concentration and understanding.
However, this is where it becomes tricky. What society expects from us and what society tells us are two very different things.
“…this proposal has all the hallmarks of racism…Children are children, and to use their personal information for immigration enforcement is disingenuous, irresponsible, and not the hallmark of a tolerant, open and caring society”
– Lord Storey
Against Borders for Children (ABC) is a coalition of parents, teachers, schools and campaigners. Our aim is to reverse the Department of Education’s (DfE) policy to collect country of birth and nationality information on 8 million children in England in order to ‘create a hostile environment’ for migrant children in schools, primarily by encouraging a mass boycott of the School Census.
There are many ways in which the art world can be viewed as an exclusive realm to which only a select few are invited – and to a certain extent, I’d be inclined to agree with some of that sentiment. Behind the careful curation of white walls lies a system of complex unspoken rules that perimeter a selective and hierarchical structure. Be it curator, PR or private collector, everyone has their respective role in the art chain and, in part, this allows practice, consumption and interest in fine art to flourish.
You might have seen the worrying news that Britain has slipped further down the World Press Freedom Index. This index, monitored by Reporters Sans Frontiéres, rates the freedoms (duh) of the press to report what they like without fear of governmental repercussions. For a breakdown of why Britain is doing so poorly, take a look at the RSF website.
A brief summary is that our governments (those loveable scamps) are trading off the freedom of the press for national security. What’s worse is that there is a potential new law on the horizon that would allow journalists to be treated and sentenced as spies in cases of leaked information. After all, these are the “enemies of the people”. Though this absurd bit of legislation has been temporarily halted, there is serious concern that, much like Tony Blair, it could return and ruin everything.
First up, before we get into the piece, my condolences to the friends and family of those who were killed in Westminster and St Petersburg, and I wish a speedy recovery to the injured. If you personally know anyone hurt or killed in the incident, you might want to leave this article for a few days.
With that in mind, everyone else: what the fuck?
“Romania is not sexy,” a fellow academic once told me. “Nobody cares what happens there, nobody wants to study it. There’s so little going on there that’s really exciting or new. ” I thought she was right at the time. After all, I was also always going on about the political apathy of much of my fellow Romanians, the very slow pace of change after the fall of communism in December 1989, as well as the indifference of post-revolutionary governments towards preserving the memory of the totalitarian regime and its survivors. Apathy and amnesia were, I thought, the two main curses of my people.
But four years ago, something finally started happening.