By Justin Reynolds
Fifty years ago Mao Zedong’s Red Guards rampaged through the ancient streets of Qufu, home city of the sage Confucius, pulling down statues, burning temples and desecrating graves.
The ‘old customs, old culture, old habits and old ideas’ associated with the teacher who for millennia had provided philosophical legitimacy for China’s feudal order were to be swept aside by the Cultural Revolution to make way for a new classless society.
But today Qufu is one of communist China’s foremost places of pilgrimage. An sprawling museum and park complex stands by the restored temple, overlooked by a giant figure of Confucius the size of the Statue of Liberty. ‘The Holy City of the Orient’, with its gleaming new high-speed rail link, now attracts more visitors each year than the land of Israel.Continue Reading
by Eli Lambe
Crude Apache is a local community theatre company which has been running, in one form or another, for the last 24 years. They are committed to producing accessible and thought-provoking theatre, and their tradition of using non-theatre spaces for their productions allows for innovative use of space and setting. The industrial, bare-bones space of The Shoe Factory Social Club in St Mary’s Works played well with the theme of their latest production, Howard Brenton’s Magnificence – a timely, if sometimes surface-level, exploration of the 1970’s squatters movement.
The play touches on the rise of neoliberalism, state-sanctioned brutality, homelessness and the effects of state brutality in turning resistance into a determination to hurt, and hurt spectacularly. Directed by Tom Francis, this was a solid adaptation of the original, and very successfully captured the arguments we are still having – with ourselves and each other – almost 50 years on.Continue Reading