THE MEANING OF REES-MOGG

by Scott Mclaughlan

The latest official line on Britain’s European exit struck a more considered and conciliatory tone. Early this month at Mansion House the Maybot reassured her detractors: “there have been many different voices and views in the debate on what our new relationship with the EU should look like. I have listened carefully to them all”.

Meanwhile, behind the curtain, Eaton College’s answer to Mr. Twit lurks in the wings with rhetorical flush and imperial vision. Dr Fox preaches the utopia of “free trade” and Rees-Mogg casually offers up a well-thumbed copy of Oliver Twist for inspiration. The three Brexiteers, it appears, are in the driving seat.

A simple question remains: what exactly is it that they want, these Brexiteers?Continue Reading

BEYONCÉ AND HER REFRESHING LEMONADE

by Emmanuel Agu

Lemonade, Beyoncé’s latest album, is aptly named. In the political climate we live in with constant reminders of the atrocities that black people face, and a music industry that seems to be losing its greatest and brightest this year, nothing could have been more refreshing than this album for popular culture and especially for black women. This is undoubtedly the strongest piece of work Beyoncé has ever produced; musically, visually, and politically. With features and samples from a wide variety of artists including James Blake, Jack White, Diplo and for a second time another sample from Outkast’s’ ‘Spottieottiedopaliciousness’ (which I will never complain about), Knowles-Carter goes from strength to strength and I am truly left to question if it is ever possible for her to release an album less brilliant than its predecessor.

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