A tall hill of turquoise, gendered cooing and guffawing, chainmail crop tops, and dance-fights with mops, performed to the sound of nineties nostalgia: Lizzy Shakespeare and Michelle Madsen, together known as Bait Theatre, effectively wield experimental drama to tear through the fanciful tropes of traditional fairy-tale femininity.
Join our mailing list
Subscribe to our monthly newsletter here.
Support the Radical
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.