by Hannah Rose
Luke Wright’s eighth solo show The Toll is a razor dipped in sugar: Ian Duncan Smith is a “jiggling tit” and rumour has it that a lion stalks the good people of Essex. It’s an hour of truth or dare, but not without the candid insight that self-reflection demands of performance poetry. Wright connects with his audience through just the right amount of personal anecdote tinged with good times and bad, and a generous scattering of cultural and political satire.
Brexit, Question Time and John Betjeman. It’s all in there. This line is hard to walk when it’s just you on the stage—too much waxing-lyrical about good times with your mates and you’ll bore your audience. Equally, too much of the dark stuff and the lights go out. People don’t generally pay £12 to be brought down by bad news.Continue Reading
by Carmina Masoliver
Homework nights used to be a bit of a boys’ club, being a product of the all-male poetry collective Aisle 16. I’d been to an event where they shared that in their youth they had the rule that no girls were allowed. They became somewhat of a poetry boyband, and original members – Luke Wright, Joel Stickley, Chris Hicks, Ross Sutherland, John Osborne, Joe Dunthone and Tim Clare – have gone on to achieve great things. Most of these poets also have a Norwich connection, having attended UEA.
They’re also very much still involved in Homework, with Sutherland hosting this particular one. The premise of this night, based in Bethnal Green Working Men’s Club, is that each poet has a month to create a new piece of work and the show itself is a presentation of their homework in the form of a literary cabaret. Each month is themed and features a special guest. It’s very popular, so arriving early for a good seat is a must. Honorary female members, Molly Naylor and Katie Bonna, have been making their mark here for some time, and I thought it would be worthy of a feature to shine the spotlight on them.Continue Reading