DISPOSSESION: THE GREAT SOCIAL HOUSING SWINDLE

by Eli Lambe

Released shortly before the disaster at Grenfell, Dispossession: The Great Social Housing Swindle is a timely and balanced exploration of the factors that led to the tragedy, and to the wider social cleansing of working class and low income communities throughout the UK. Introducing the film to a packed room in Norwich’s Cinema City, director Paul Sng emphasised the need to counter the “media culture of denigrating people who live in social housing”. The goal of the film, for Sng, was to show that people living in these estates and situations are valuable in themselves, and that the communities that exist there are important and should be preserved, as well as highlighting how this is overshadowed constantly by the prioritisation of profit and private sector gains.

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T IS FOR TERRORISM. T IS FOR TORY.

by Gunnar Eigener

Content warning: mentions terrorism, The Troubles.

Not only has Theresa May’s snap election gamble backfired spectacularly, but the possibility of a partnership with the Democratic Unionist Party (DUP) has left a sinister stain on the government going forward. Lurid headlines have been a constant feature of the campaign, attacking Jeremy Corbyn and his alleged links to the IRA and Hamas. But now, ironically, it is the current government that has turned to terrorist sympathisers in order to shore up their position. Time will tell if those tabloids will apply the same standard to the government as they did to Jeremy Corbyn.

Within these developments, there are two worrying aspects that have emerged – both nationally and globally. The first is the ease with which governments are able to use the fear of terrorism to further their own agenda. The second is the ability of governments to ignore or cover up their complicit actions.Continue Reading

GRENFELL & BRITAIN’S SOCIAL HOUSING CRISIS

by Lewis Martin

CW: discusses the Grenfell tower fire

I grew up in social housing. The estate I lived in was spilt between those who were lucky enough to own their house and those who relied upon housing associations to provide accommodation for them. The latter group, which includes my family, found that their houses were painted an obnoxiously bright yellow, for no other reason than to make those houses easily identifiable to the housing association and the rest of the neighbours. It was a big bright mark to ensure it was known that you lived in social housing.

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YOUNG GERMANS AND URBAN GLORIFICATION

by Candice Nembhard

In recent years the discussion of gentrification and globalisation has become almost unavoidable – and for the most part, these terms have now been resigned as popular buzzwords in pseudo-intellectual conversations. As glib as this may sound, I shall do my best to explain.

While many a piece has been written on this subject, this is in fact not my primary focus. My intention is not to deny the lived and consequential reality of western mobilisation, but rather look towards the supporters and benefactors of this growing socio-economic practice. In particular, a generation of young people who are forgoing academic careers in favour of acquired/inherited wealth and personal development. More specifically, I will focus on my experience in post-Brexit Germany.Continue Reading

IF NOT NOW, THEN WHEN? – STUDENTS AND THE ELECTION #6

from a member of UEA Labour Students

In the midst of multiple crises faced by students, universities and schools, the outcome of the snap general election will be a major indicator of the future of the UK education sector. Each week until the vote we are featuring perspectives from our regular contributors and guests on what the election could mean for students.

Having resolved to sit down today and write this article, I’m struck by the appropriateness of my day. I caught the bus to UEA from outside one of the few remaining Sure Start centres, a public service provided by the last Labour government which has been decimated by the Conservatives (and Liberal Democrats) since 2010. My bus was 40 minutes late, the consequence of a privatised, under-funded service – and even the previously UEA-hosted launderette I went to had been privatised since I last used it. It served as a strong reminder of the power of Labour government to change lives for the better, which contrasts with the crumbling services and privatisation festival that has characterised the last 7 years of Conservative and ConDem government.

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VOTE PROGRESSIVE, VOTE FOR OUR FUTURE – STUDENTS AND THE ELECTION #4

by Lewis Martin

In the midst of multiple crises faced by students, universities and schools, the outcome of the snap general election will be a major indicator of the future of the UK education sector. Each week until the vote we are featuring perspectives from our regular contributors and guests on what the election could mean for students.

There is a lot of fear about the morning of June 9th. Will we wake up to a Tory super-majority that will see them stay in charge for the next 15 years? To a renewed age of cuts that hurt the poorest and most vulnerable in society, that disembowel the education system from primary to higher, and that destroy the environmental protections (or ‘Green Crap’) that will ensure that we have a safer and more secure future for our world? Or will the sun rise on something else? With the polls getting closer and closer, a miraculous Labour Party win isn’t off the table just yet.

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REVIEW: LETTERS TO WINDSOR HOUSE, BY SH!T THEATRE

by Hannah Rose

Louise Mothersole and Rebecca Biscuit—aka Sh!t Theatre—are Generation Renters living in Windsor House on the Woodberry Down housing estate in Hackney. Their digs are dirty, cramped, noisy and downright dangerous—thankfully, the pigeon netting saved one of them from a fall off  the balcony (which, incidentally, is covered in pigeon shit).

The kitchen is “fucking disgusting,” not to mention expensive at £1200 a month. This however, is the standard experience for thousands of London dwellers who have no hope in securing affordable, safe housing in England’s capital city. In Letters to Windsor House, Louise and Rebecca crack open a window and shine a light on the London housing bubble via this renegade piece of political theatre—a stimulating medley of storytelling, reportage, video, and Oliver inspired songs.Continue Reading