One Sunday, in the quiet folds of The Albany in Deptford, a group of womxn came together to talk about our place in the arts, and specifically poetry. We came to listen, to write, and to share our voices.
by Zoe Harding
I wanted to go to the Trump protests so I could say I did. Whatever the final ending of Trump’s story turns out to be – peaceful impeachment or nuclear armageddon – it’s got such disturbing parallels to past dictators already that I get the impression he’s going to be spoken of alongside the great bastards of the last century. It’s getting to the point where I’m starting to wonder why time travellers haven’t started popping up to shoot him. In the world we live in, where photos of crowd size are already a disputed quantity rather than a piece of evidence, and mass protests are a fact of life, I still wanted to say I’d tried to express my feelings about wotsit Hitler and his cadre of bastards.
By Laura Potts
This year I was determined to make the most of the Norfolk and Norwich Festival, taking place from the beginning of May. Last year I found myself reading about projects and events that had already taken place. However, this year I was aware of a project early on that was just getting underway: ‘Processions’, in association with Artichoke and 14-18 NOW. This idea saw a number of women gather together with local textile artist Fiona Kay Muller to create a banner. This banner, with all its laboured hours very much part of its fibres, would then be part of a nationwide procession in London, also taking place in Belfast, Cardiff, and Edinburgh.
The attempted murder of Sergei and Yulia Skripal with a nerve agent bares all the hallmarks of a Cold War spy novel and the complexity of the smaller and more tightly connected modern-day world. Political balance is needed when addressing and reprimanding those responsible. If Russia is found to be to blame, what happens next? Is it likely that remarkably little will be done or will this be the beginning of a new coalition to stand up to Putin’s Russia?
by Rowan Gavin
Today, Essex-born folk singer Beans On Toast releases his ninth album, ‘Cushty’. Last night, I saw Beans play live for the ninth-ish time (if I’m honest, I’ve lost count, but the symmetry is pleasing). If you’ve been to a British festival in the past decade you’ve probably run into Beans as well – he’s the kind of musician who pops up everywhere. With a new album out every year since 2009, he’s perpetually turning up in your town on tour, or supporting one of his many musical friends, or appearing at festivals you didn’t know he was on the bill for.
by Lewis Martin
Last week students from around the UK marched through London to pressure the government into finally delivering free education. The march has become a yearly spectacle and a symbol of the importance of direct action to the student movement. This year however, the National Union of Students decided not to back the demo, claiming that putting more energy into lobbying will have a greater impact than this direct action could. This shift of attitude isn’t just found in the higher ranks of NUS; it is also becoming commonplace in more and more student unions across the country.
by Eli Lambe
Released shortly before the disaster at Grenfell, Dispossession: The Great Social Housing Swindle is a timely and balanced exploration of the factors that led to the tragedy, and to the wider social cleansing of working class and low income communities throughout the UK. Introducing the film to a packed room in Norwich’s Cinema City, director Paul Sng emphasised the need to counter the “media culture of denigrating people who live in social housing”. The goal of the film, for Sng, was to show that people living in these estates and situations are valuable in themselves, and that the communities that exist there are important and should be preserved, as well as highlighting how this is overshadowed constantly by the prioritisation of profit and private sector gains.