I previously wrote about Madame Ovary, which set the bar for me when it came to deciding my top shows from this year’s VAULT Festival. Aside from this, here are five more shows that hit the bar for me.
by Lotty Clare
Content warning: sexual violence, corrective rape, sexual abuse, suicide.
Last Friday was the beginning of Yangon Pride celebrations in a country where human rights abuses are rife, and homosexuality is criminalised. The rising profile of LGBTQ+ rights in Myanmar provides precious hope for queer people in the country. However, the road to equality is a long one.
Yangon’s 2020 Pride festival is organised by &PROUD and runs from January 18th to February 2nd. The opening day in Thakin Mya park attracted thousands of people. The city’s pride events include a boat parade, queer dance performances, drag shows, queer film screenings and panel discussions, and of course lots of rainbows. The films that will be shown include ‘A Simple Love Story’ a short documentary film that was given a distinction in the Wathann Film Festival but was not screened due to censorship, even though there was no nudity. The film centred around a trans couple and asked the question ‘does love have any gender?’.
Content warning: article mentions homophobia, religion, Trump, and Farage.
Earlier this week, many of us watched on in horror as one of our potential Prime Ministers spouted his frankly archaic, illiberal views on Good Morning Britain. I thought to myself that alongside all the atheists, progressives and liberals of the UK, Jacob Rees-Mogg’s spin doctors and supporters must also be holding their head in their hands. His interview would have been seen by a large number of people and the further press coverage was extensive – surely this was the death blow to any leadership ambitions.
I suppose I have a lot of faith in our electorate and like to think that outing yourself as anti-choice, homophobic, and quite frankly medieval, on national television would ruin your political career.
by Laura Jamieson
Last Saturday, July 15th, saw the Eastern Mermaids travel to Upton-Upon-Severn to compete in the second southern fixture for the Quidditch Premiere League. Quidditch – a real, full contact, mixed gendered sport – has rapidly grown over the last ten years, with over 500 teams across 26 countries, competing in national and international tournaments. Played using ‘brooms’ made of PVC pipe, the players aim to score points by throwing the quaffle through three hoops on opposite ends of the pitch, all whilst avoiding beaters, players armed with dodgeballs aiming to briefly knock their opponents out of the game.
After 20 minutes, the seekers and snitch take the pitch, a player from each team aiming to ‘catch’ a tag rugby style ball in a sock attached to the back of a neutral player’s shorts. Quaffle goals are worth 10 points, with a snitch catch worth 30 points and ending the game. Full contact and competitive, the sport has seen many people otherwise disinterested or alienated from mainstream popular sports become engaged and active, some going from stationary nerds to cardio and protein enthusiasts, other players having previously played sport, joining due to the appeal of a unique, inclusive sport unlike any other.
In my first year of university, I had the pleasure to live on Prince of Wales Road in Norwich, one of the most dangerous roads in Norfolk and one of England’s worst drinking areas in terms of late-night violence. While it might not have been for everyone, I honestly loved the feeling of being at the heart of the city’s nightlife and counted myself week in week out as one of the thousands of club-goers descending onto the strip. For me, nightclubs are a way to relive stress, relax and enjoy yourself alongside scores of friends and strangers, and represent a sort of coming together of people of all different backgrounds to lose yourself in the dance.
With the Feminist movement having become more a part of the mainstream, there is a tendency to call it a new wave. But Feminism is something that is always flowing, with plenty of grassroots activists doing work ‘to end sexism, sexist exploitation, and oppression’ (as defined by bell hooks, Feminism is for Everybody, 2000). Whilst the movement’s popularity means there are films with stronger female characters, and Feminist comedians can easily be seen on Netflix, it also means that various corporations try to sell us back our politics.
In recent years the discussion of gentrification and globalisation has become almost unavoidable – and for the most part, these terms have now been resigned as popular buzzwords in pseudo-intellectual conversations. As glib as this may sound, I shall do my best to explain.
While many a piece has been written on this subject, this is in fact not my primary focus. My intention is not to deny the lived and consequential reality of western mobilisation, but rather look towards the supporters and benefactors of this growing socio-economic practice. In particular, a generation of young people who are forgoing academic careers in favour of acquired/inherited wealth and personal development. More specifically, I will focus on my experience in post-Brexit Germany.
A series exploring women and genderqueer identities within the DIY Punk and Arts scenes. In this installment Sara Harrington depicts scenes from her own experience playing in a touring ska punk band.
by Tara Gulwell
I was nine years old when I first learnt what lesbian meant. It was a word thrown at me as a measurement of depravity to which I should never want to sink. Little sweetheart notes I was trying to send to another girl were found and I was not-so-kindly made aware that that wasn’t natural. Up until that point, I had assumed, like every child does, that my way of experiencing the world was like everyone else’s. Lesbian, that dirty word tossed about on my playground, brought me out of the naivety that blinded me from realising I was different from my peers, and overshadowed my childhood at my Anglican, Church of Wales, primary school.
This week, Norwich Pride held an emergency demonstration outside City Hall to protest a new wave of abductions, imprisonment, and killing of LGBTQ+ people in Chechnya. Over 50 people gathered on the steps of City Hall to hear speeches from local activists, and to show solidarity with LGBTQ+ people in Chechnya. These acts of solidarity are vital, and it has been encouraging to see similar displays across the country, but our actions must go beyond this.
by Gwen Taylor
How on Earth do I put these feelings into words? I’m sitting here just after finishing Love is Love and I have been utterly floored. 2016 has been an awful year all around, a year where hatred and intolerance appear to have won, and love has been firmly pushed into a corner. One of the most horrific events of the year took place in June at the Pulse nightclub in Orlando. One person took the lives of 49 others who were celebrating their individuality and love in what had always been regarded as a safe space.
Love is Love is an anthology of responses to the shooting published by IDW Publishing and supported by DCComics to raise money for Equality Florida. It contains 144 pages of beautiful stories designed to celebrate love following a tragic event. Each piece is 1-2 pages long and all are incredibly powerful; the sheer number of contributors demonstrates how this horrific event was felt by everyone.
Content warning: mentions homophobia, homophobic violence
Anyone with a basic understanding of society will know that queer people encounter instances of homophobia on a daily basis. Seemingly removed from what many view as ‘real oppressions’, everyday instances of homophobia can be intensely draining, but ultimately the form they take is rarely an aggressive one. So why, then, does an act so apparently harmless as a prolonged stare or quiet whisper in the street, have the power to provoke so much fear? The answer is something I failed to realise until three days ago when I witnessed homophobic violence in my own city.
The victory of Donald Trump to become the 45th President of the United States has shocked and dumbfounded many. What does it say about the state of politics when the first female major party presidential candidate – who was, by far, the most technically qualified – is defeated by a man who has never held any political office?
TW: Mental health, racialised violence, racism
The first session at the psychotherapist is always tough. Your psychiatrist is a lanky white man presumably in his 50s. There’s a mosaic of framed medical certificates hanging behind his desk. You’re an 18-year old brown-skinned boy slumped back on this armchair that’s supposed to feel comfortable, but really the fake leather sticks coldly against your sweaty back. He asks about various aspects of your life to get a better evaluation: family history, school, suicide, self-harm, homelessness. He tries to sound nice—this condescendingly sweet falsetto undermined by the mechanical typing in of your diagnosis. Every time you spill yourself, you feel the room closing in.
by Jess Howard
Earlier this month, Warner Bros and DC released their latest superhero film Suicide Squad, sending mixed reactions across the internet as viewers commented on the film’s plot line and the sexualisation of squad member Harley Quinn. Audience and critics’ opinions aside, what is explicitly noticeable within the film is the lack of LGBTQ+ characters, such as DC character Batwoman, for example – if Batman can make a cameo, why not her? In a world with superheroes, Killer Crocs, and witches, why are production companies still refusing to feature LGBTQ+ characters in their films?
Victory! The University of East Anglia has at long last agreed to fly the rainbow flag for the first time in the university’s history. After over three years of campaigning by UEA’s lgbt+ activists, university managers finally gave in and flew the rainbow flag ahead of this year’s Norwich Pride. Undoubtedly, this is testament to the efficacy of persistent campaigning and to the dedication of student activists both those currently at the University and those who have since left it behind.
by Chris Jarvis
Content warning: mass shooting, homophobia.
At midnight they dance the devil’s dance
Gleeful in their deviance
As sun rises
Their hearts Pulse in the ecstasy
Community and camaraderie
Unprovoked and unannounced
Space safe no more
Oh hold your breath then count to ten
Then fall apart and start again
All the way to forty nine
Mommy I love you.
by Zoe Harding
Content warning: mentions mass shooting, homophobia, Islamophobia.
As you know, on Sunday a homophobic mass-murderer killed 49 people and seriously wounded 53 others in the Pulse nightclub in Orlando, Florida. He used a handgun and a semi-automatic rifle, took hostages and was only finally killed when the Orlando police rammed the wall of the club with an armoured vehicle and forced him to come out, before gunning him down.
News media and political statements have been full of Islamophobic vitriol and scaremongering. Owen Jones walked off Sky News after deciding he was sick of listening to Mark Longhurst and Julia Hartley-Brewer trying to downplay the homophobic aspects of shooting up a gay club in favour of a more anti-Daesh approach — despite the attack not yet being confirmed either way if in any way connected to Daesh. As Julian Canlas commented for The Norwich Radical, ‘It is not just an ‘Orlando nightclub massacre’. It is an Orlando lgbtQ+ Latinx nightclub massacre.’ Florida governor Rick Scott suggested that the best thing one could do to aid victims of the shooting was pray, and dodged questions about what could be done to stop further shootings— the NRA logo practically glistening behind his eyes.
Content warning: mentions racism, homophobia, suicide, arson, massacre, mental health
On June 12th 2016, a mass shooting happened at Pulse, gay nightclub in Orlando, Florida, USA. 49 people were killed and 52 injured, mostly of Latinx descent. Across the world, lgbtQ+ communities and allies have been organising vigils and other events to express support and condolences.
‘Look, you don’t understand this because you’re not gay,’ Owen Jones said, before storming out of a Sky News debate on the massacre, after the two presenters refused to see the incident in a lgbtQ+ context.