by Carmina Masoliver
trigger warning: mentions of sexual assault, mentions of transphobia
My second week at Edinburgh Fringe Festival offered a selection of shows more overtly dealing with Feminist themes. This selection ranged from the role that gender has to play in our experience of the dating world in the digital age, an exploration of the ‘pretty privilege’ set against trans experiences, to an examination of celebrities as female role models.
by Lee-Anne Lawrance
As we approach the (extended) close of the consultation to the reform of the Gender Recognition Act, one group of activists is calling for a calm and rational debate – or in their words, a ‘respectful and evidence-based discussion’.
The current debate has been dominated by a group of so-called ‘feminists’ and supporters who oppose the changes, citing ‘concerns’ for women. The concerns they raise however are based on false information. Nothing short of propaganda is used to disseminate this false information to the wider public. Continue Reading
This week sees the UEA Students Union officer elections 2018 take place at Norwich’s largest educational institution. The Norwich Radical contacted all candidates in the election for comment on why they’re running and what they stand for. This article and the others in the series are intended to offer an insight into the current and future state of the union and of the UEA more broadly.
UEA students can vote in the elections at uea.su/ueavotes until Tuesday March 6th.Continue Reading
by Carmina Masoliver
cw: mentions violence
Genesis Cinema, in London’s Whitechapel, is an independent cinema on the site of a pub-turned-music hall that first opened in 1848, and which housed a number of theatres before turning to the silver screen. As part of its Fringe! Queer Film & Arts Fest, it screened German film The Misandrists by Bruce LaBruce. Complemented by a moderated discussion about the film, it raised a range of questions on the importance of author intent, the role of sex and violence in film, and the issue of when satire becomes mockery.
by Laura Evans
Content warning: this article mentions homophobia
It’s been quite a week in Australian politics. You might have heard that the Turnbull government (a coalition of the centre-right Liberal Party and slightly further-right-but-mostly-rural National Party) have been debating marriage equality and have launched something called a postal-plebiscite. To understand why this is a Big Complicated Deal, we have to go back to 2004.Continue Reading
by Alex Powell
CW: mentions homophobia and homophobic abuse
Last week marked 50 years since the Sexual Offences Act 1967 entered into law, in the first step towards the decriminalisation of homosexuality. There’s been a great deal of coverage of this milestone in British media, including some brilliant, informative TV programming (I highly recommend the BBC’s drama ‘Against the Law’). But it is Owen Jones’s recent Guardian column ‘Hatred of LGBTQ people still infects society. It’s no time to celebrate’ that seems to have been most prominent. Jones’ arguments are certainly justified, but commentary like his risks misrepresenting the situation that now faces LGBT+ people in this country. It’s not all bad.
by Eli Lambe
Timeliness occupies this issue. Reflections on what queer writing has been and what it is now are shown through this collection to be vital, contemporary, and necessarily complex. The readings at the launch were accomplished, and the variety of writing spoke to the talents of the editing team in recognising and celebrating each piece. The pieces were arranged and selected to be complementary, to offer common threads and common goals, while still preserving the singularity of each piece – the queer writing here is collected as moments of solidarity, of community.Continue Reading