‘Fuck you mean you need it?/ Fuck you mean you RSVPed?/ I don’t need a reason’ Ashnikko fires back at the retort women often get to be ‘asking for’ unwanted sexual advances through their choice of clothes. No holds barred, she spits out ‘his castration would be nice’, and the extremity and radical of her lyrics continues through the rest of her repertoire, creating both a humorous and empowering feel.
by Ewa Giera
Content warning: xenophobia, discrimination
The Day of the Duck, by Helen Stratford and Lawrence Bradby, takes form of neither a scripted play, nor a novel: intertwined with visual diagrams, elements of script and a simple, character-driven narrative, the book is a unique experience as opposed to a traditional novel. The story revolves around a Muscovy duck, the last of its species in a town heavily based on Ely in Cambridgeshire, whose goal is to discover why its brethren have all disappeared. The book is framed as a noir detective-style plot – the Muscovy duck takes on the role of the detective and asks all the uncomfortable questions to people whose names it’s not concerned with, which serves the aim of having the characters translate as everymen.
May 2017 saw Palestinian political prisoners in Israeli detention uniting to take part in a hunger strike. Every Friday during the strike, street protests were held in solidarity and various other events took place under the motto ‘salt and water’. Some of my friends from Nablus, viewing horses as inextricable from ‘non-horsey’ aspects of life (their lives are absorbed by riding horses; taking selfies with horses; racing horses; breeding horses; bathing horses…) demonstrated solidarity non-violently by riding their horses into Nablus city centre, carrying Palestinian flags and calling for solidarity with the prisoners.
by Jonathan Lee
Content warning: this article mentions racism, discrimination, oppression, and racial / cultural slurs.
“If the Welsh are striking over hunger, we must fill their bellies with lead” are the famous words Winston Churchill never spoke, about sending in the Lancashire Fusiliers to put a swift end to the 1910 Tonypandy miners’ strike.
Though he never advocated firing on the miners, he did send the soldiers to the picket line, and was definitely still an imperialist, eugenically-minded war criminal. The only reason the quote is mistakenly attributed to him so commonly is because it is so utterly believable. It typifies the contemptuous colonial attitudes held by the man himself, and the English parliament, for the Welsh and the working class.
Wales was England’s first colony – the template for later British imperialism. Many of its basic strategies were forged here in England’s closest and very first colonial asset, before being exported all over the world.
Myanmar is a country under the spotlight at the moment. Human rights abuses, allegations of ethnic cleansing, economic development and foreign investment, and piss poor freedom of speech are among many controversial issues which cast shadows in today’s political discussions. On the ground, such issues require adequate legal aid, but Myanmar’s judicial system has been in tatters for decades.
by Laura Potts
This year’s degree show was of striking magnitude. The work in all departments was of a very professional standard, with the textiles department in particular showing great craft and display skills with their breathtaking exhibition. These high standards were maintained throughout, even into the degree show shop, which housed snippets of work for sale.
CW: mentions misogyny, anti-feminism, neo-nazism
Earlier this month, a writer and an editor from the Radical took part in the Amiel & Melburn Trust’s annual residential seminar. The Trust’s aims are “to advance public education, learning and knowledge in all aspects of the philosophy of Marxism, the history of socialism, and the working-class movement’. This year, the topic of the seminar was ‘Politics & Culture’, and the various intertwinings and intersections thereof. What follows are thoughts and reactions about the seminar from our contributors.
CW: discussion of racial slur
Twiglets, I have an unusual and likely unhealthy relationship with twiglets. Everything about them disgusts me. Their burnt and bitter flavour, their odd withered and gnarled appearance and the quantity in which I consume them. Likewise, I have an unusual and likely unhealthy relationship with Bill Maher and his show Real Talk.
The cover of Better Watch Your Mouth displays a set of lips and teeth pulling the kind of expression you would make after being told such a thing. It suggests an unapologetic rejection of censorship, which is later reflected in the poem ‘Ugh, Men’ with the statement ‘we will not censor ourselves (x3)’.
This is a collection that mixes everyday language with profound metaphor, and beautiful imagery with emotive stories. It begins with the telling of others’ stories and gradually becomes more personal, yet in a way that is also relatable, as time skips back and forth like the mind floating back to memories, some singed with pain and others with nostalgia.
By Robyn Banks
This month Oxford University, in conjunction with the Sutton Trust, launched a summer school aimed at attracting more “white, working class boys” to the university. While this has received praise from some sectors of society, it does not address the real reasons why working class people (not just boys or men) are not attending universities like Oxford.