by Alex Valente
Repeat after me: comics is a medium, not a genre. Good? Good. Let’s start from there. Comics is (yes, plural noun, singular verb) a medium. As such, it has the power to channel ideologies, reflect society, provoke ripples in current trends, generate new ones, validate certain opinions, undermine others, and most of all — it influences a gigantic audience, it creates a dialogue between readers and authors.
Sometimes that dialogue is out of sync. Sometimes a side shouts louder than others. Sometimes it falls short of everyone’s expectations and hopes. And sometimes, really good things happen, and excellent conversations take place.Continue Reading
by Alex Valente
In February, the Image Comics/Milkfed Criminal Masterminds Inc. series Bitch Planet reaches its third issue in an ongoing series (tentatively, out of 30). Written by Kelly Sue DeConnick (Captain Marvel, Pretty Deadly), drawn by Valentine De Landro (X-Factor), coloured by Cris Peter and lettered by Clayton Cowles, the book features a wonderful design by Rian Hughes (covers and title) and Lauren McCubbin (backmatter) and is tightly edited by Lauren Sankovitch. There will be no invisible labour here.
After three issues under its belt (depending on when this piece is published), it feels a little strange to write a review — so this is not a review, not exactly; this is an appreciation.
DeConnick uses her writing to build a dystopian setting in which patriarchal structures have reached such an overt manifestation of power that the rulers — the New Protectorate — are a bunch of old men who call themselves The Fathers. A society whose constant, obsessive message is ‘You are broken, you are fat, you must obey, you must comply’, a society that has rejected the idea of Mother Earth (‘Earth is the Father’) and created the Auxiliary Compliance Outpost — affectionately referred to as Bitch Planet – as a space (‘the Mother’) penitentiary for non-compliant women.Continue Reading