by Liam Hawkes
As a 20-year-old young man today, I find myself surrounded by a society and culture which seem to lack substance in a lot of ways. I have had a lot of enlightening conversations with friends about this, and one of the conclusions we reached is that we are the generation of nostalgia, imitation, and regurgitation. We think back to the golden filters of 60s or 70s music as the paradigm our experiences now should imitate. We idolise the past because of the lack of originality in the present.
I feel part of a reflective generation which instead of projecting creativity into the future, we simply project it into the past to achieve a nostalgic warmness to keep us comfortable. This doesn’t surprise me when I look at the advent of pop culture and what is considered ‘talent’, or the celebrities of today. This is all a downward slope from the crossing the threshold of the millennium and feeling more culturally empty than ever before.Continue Reading
By Chris Jarvis
For most, Norfolk boys Shock ! Hazard will appear as something of an antilogy. Their sound and aesthetics are clearly rooted in and influenced by early heavy metal pioneers like Led Zeppelin and the less flamboyant hair metallers of the 1980s – thumping riffs, extended guitar solos and screeching vocals galore. More than anything, this sound and this scene has been known for its bone-headed hedonism, its sex, drugs and rock ‘n’ roll attitude, and the carefree and unrestricted antics of its participants; hardly the place you go to find revolutionary calls to action or heavily politicised lyricism. Putting aside the question as to whether participation in a counter-culture is an inherently political act for a minute, unlike other musical movements, from punk to folk to hip-hip, this straight-up, hard hitting, in your face rock and roll, has made its name in part for being almost overtly apolitical.