by UEA Exodus
Every year, UEA’s School of Literature, Drama and Creative Writing decide a season of plays, performed and produced by third year Drama Students. This year, they present Exodus, ‘two plays on power and conflict’; both works of dramatic literature set during the 20th century but inspired by legends of antiquity. John Steinbeck’s ‘The Grapes of Wrath’, and Bertolt Brecht’s ‘The Caucasian Chalk Circle’. Both plays look at mass departures of people, engendering the ever present plight of refugees having to leave their homes.
by Chris Jarvis
Culture and politics are inseparable. Culture is more than mere entertainment, more than escapism. Culture is central to how we understand the world, build our value sets and perceive our fellow people. It stirs human emotion in unique ways, pulling different levers in the brain. Sometimes overtly, sometimes with subtlety, the dominant cultural practices, institutions, icons and outputs are used to reinforce the dominant political system and defend the status quo. Establishment weaponise culture as a means of influence.
But this isn’t the sole preserve of the political right.
Looking through history, many of the most important moments of popular revolt have an accompanying soundtrack. The resistance to the Vietnam War had the protest folk singers. Rage Against the Machine were agitators of the US anti-globalisation movement. Riot Grrrl acts built feminist infrastructure, led pro-choice campaigns and brought ‘the personal is political’ sentiments to the fore of a cultural phenomenon. And so on, and so on.
This isn’t coincidental.Continue Reading