SKEPTA AND THE RETURN OF THE BLACK PUNK ETHOS

by Candice Nembhard

Grime’s re-emergence into mainstream channels of music should be viewed as nothing less than a testament to the masses of hungry music listeners searching for an angry energy tandem with their feelings of creative distrust with the music industry complex. Whether you see its re-surfacing as positive or negative; its influence has grown so much so, we are willing to finally give it long overdue credibility.

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PUNK’S PLACE IN THE 21ST CENTURY

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by Mike Vinti

This year, as I’m sure you’ll be hearing a lot of as we move closer to summer, marks 40 years(ish) of punk. As such there’s a plethora of punk-themed exhibitions, celebrations and, inevitably, memorabilia knocking around with the aim of inducing some punk-nostalgia in the generation that came of age during the mid to late 70s and early 80s. However, while there’s much to celebrate about punk’s legacy, and the modern punk scene itself, a lot of the ‘official’ anniversary celebrations are somewhat missing the point.Continue Reading

IN TRANSITION – AN INTERVIEW WITH JOSH CHANDLER MORRIS OF HOPE IN HIGH WATER

by Chris Jarvis

For years, Josh Chandler Morris was known as the energetic frontman of skacore band Anti-Vigilante, whose powerful stage presence, piercing sax segments and fast paced vocals thrilled crowds across the country including on tours with veterans of the ska scene such as King Prawn and Inner Terrestrials. Nowadays, Josh has teamed up with Carly Slade to form Hope in High Water, a two piece acoustic folk band, whose focus is much mellower and whose lyrics are less focussed on the political issues that Anti-Vigilante were well known for. But because of Josh’s background, The Norwich Radical decided to discuss with Josh his political outlook, how it interplays with his musical outputs and why his most recent outfit has decided to steer away from the politics as part of our series Music That Matters.Continue Reading