It’s hard to look at photos of the US Border Patrol Facilities and not be horrified. Cramped and overcrowded rooms, sometimes stuffed with double the maximum capacity; people confined for well over the allowed period; children separated from their parents and thrown in rooms with strangers. And this may not be the worse yet, as a Trump administration lawyer went viral when she argued that the government was not obligated to provide basic hygiene products and beds to immigrant children detained at these facilities.
by Alex Valente
A quick preface to the following, which also serves as a way to convince myself that I am … allowed to write about this, rather than the Bologna protests, or the political mess in Rome, or the current turmoil on the Italian left-of-centre party PD, or the upcoming women’s general strike. Those are things at the front of my mind – but I will take this week to find a little glimmer of beauty in a sea of constantly rising anger, instead.
Enter then, one of the two films I saw this year that made me think about language, and how we use it, and how it is used in the media. The other is Arrival, and so much has been written about it already, I decided to focus on Makoto Shinkai’s gorgeous animated film 君の名は (‘Kimi no na wa’), released in English as Your Name.
The words “democracy” and “Asia” aren’t always known for going together. But with the proliferation of the Internet and social media, Asia appears to be learning a few lessons from other developing nations when it comes to democratic reform. The Arab Spring, the online democratic movement which eventually culminated in protests in Tunisia and Egypt, is surely a recent example that could be learned from.
The Internet has certainly had a liberating effect on this region, previously known for being conservative in terms of political expression and dissent. The Japanese political sphere, for example, is usually not renowned for being politically active or outspoken. But that’s slowly starting to change.