FREEDOM FOR PALESTINE

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by V Arun Kumar
Description: In foreground, an Israeli military bulldozer is broken in half due to impact of a map of Palestine. Pieces of the Israeli bulldozer lay scattered around. The Palestinian map is overlaid with Palestinian flag. The military bulldozer represents Israeli annexation of Palestinian land and the Palestinian map represents Palestinian resistance. In the background is the text: 'Resist Israel’s Annexation Plan' and 'Freedom For Palestine'.

Description:

In the foreground, an Israeli military bulldozer is broken in half due to impact of a map of Palestine. Pieces of the Israeli bulldozer lay scattered around. The Palestinian map is overlaid with Palestinian flag. The military bulldozer represents Israeli annexation of Palestinian land and the Palestinian map represents Palestinian resistance. In the background text reads: ‘Resist Israel’s Annexation Plan’ and ‘Freedom For Palestine’.


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THE FARMERS’ MOVEMENT PROTEST

by V Arun Kumar / Rebel Politik

Foreground, left: a woman holding a sickle in one hand and a large red flag in the other, and wearing a green scarf over a yellow khadi; behind her, a man in a light orange khadi, a light blue turban, a beard, and raising his fist; in front of her are three ears of corn growing out of green stalks.

Background, center to right: two red farming tractors drawn as if moving up a slight incline, towards the right; one is partially behind the two human figures, and bears a small red flag; the other is fully visible, and bears a small green flag.

Above the two tractors is the text: Unite against corporate slavery of farmers.


The Norwich Radical is non-profit and run by volunteers. All funds raised help cover the maintenance costs of our website, as well as contributing towards future projects and events. Please consider making a small contribution to fund a better media future.

COMICS, A PROGRESSIVE MEDIUM

by Alex Valente

Repeat after me: comics is a medium, not a genre. Good? Good. Let’s start from there. Comics is (yes, plural noun, singular verb) a medium. As such, it has the power to channel ideologies, reflect society, provoke ripples in current trends, generate new ones, validate certain opinions, undermine others, and most of all — it influences a gigantic audience, it creates a dialogue between readers and authors.

Sometimes that dialogue is out of sync. Sometimes a side shouts louder than others. Sometimes it falls short of everyone’s expectations and hopes. And sometimes, really good things happen, and excellent conversations take place.Continue Reading

THE PLACE FOR POETRY: VISUAL CULTURE

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by Carmina Masoliver

The Place for Poetry’ conference at Goldsmiths took place from the 7-8th May, and I attended it with She Grrrowls, as well as within my poetry collective, Kid Glove.

The end of the first panel I’d attended discussed the importance of white space and the ole of images as part of the process, and linked nicely to the next panel about the relationship between visual art and poetry, which I was interested in due to my own project Poetry&Paint. Sophie Collins spoke of Mary Richardson’s defacement of Venus to highlight the hypocrisy of such an outcry, and she also touched on the Guerrilla Girls, leading to new kinds of art by women largely disregarded within ekphrastic poetry, and highlighting a collection entitled ‘In the Frame: Women’s Ekphrastic Poetry’, published in 2009.

The focus was a discussion of Rachael Allen’s 4chan poems. I hadn’t heard of the website ‘4chan’ before, but it seemed a unique concept to create poems from the basis of an image-based bulletin board, which — being the internet — provided useful commentary on the role of gender, acting as a platform for feminist art work.Continue Reading