by Arun Kumar / Rebel Politik
A raised fist in the foreground is chained in a wrist shackle with the image of Israeli flag superimposed over the shackle bracelet. Two raised fist holding Palestinian resistance scarf (with black-and-white keffiyeh pattern and Palestine flag on white fabric) on either side of the chained wrist are breaking the chains of shackles. In the background, two more raised fists are breaking the chains attached to the shackled fist in foreground.
The bracelet of the wrist shackle begin to break.
Release all Palestinian Political Prisoners text is written on top part of the image. The word, Palestine, has image of the Palestinian flag superimposed over it.
by Carmina Masoliver
On a recent trip to Bristol, I found myself in a pop-up art exhibition. The city itself was all I had imagined it to be – a hub of creativity that shows it’s no wonder why more and more creatives are making the move towards South West. The exhibition itself was called Honey Art Show and took place between 14th-19th December at Centrespace Gallery. The opening night was bustling with people, with on site screen-printing, music, and a generally chilled vibe. The following are six artists from this exhibition that I was particularly drawn towards.
by Ewa Giera
Content warning: xenophobia, discrimination
The Day of the Duck, by Helen Stratford and Lawrence Bradby, takes form of neither a scripted play, nor a novel: intertwined with visual diagrams, elements of script and a simple, character-driven narrative, the book is a unique experience as opposed to a traditional novel. The story revolves around a Muscovy duck, the last of its species in a town heavily based on Ely in Cambridgeshire, whose goal is to discover why its brethren have all disappeared. The book is framed as a noir detective-style plot – the Muscovy duck takes on the role of the detective and asks all the uncomfortable questions to people whose names it’s not concerned with, which serves the aim of having the characters translate as everymen.Continue Reading
by Sara Harrington
As Sara and her band head off on tour around Europe, she shared this illustration of tour essentials. It’s also a good opportunity to revisit Blood, Sweat and Fears, an article Sara wrote when on a previous tour, in which she discusses what she learned about efficient tour packing
by Sara Harrington
As The Owl looks set to close once more, I took a look at the history of the iconic venue and where its closure would leave the Norwich DIY scene.
The chaos and hubbub spill out to the quiet back streets of that historic mound by the castle. Red paint, skate decks and Antifa flags adorn the walls, and a rotating crowd of faces mill around the bar inside. The air is joyous and muskily sweet with the smell of human sweat, stained beer and crust punk looming miasmic and familiar. In some way or another, I know everyone in this room.
by Sara Harrington
‘Freelance Struggles’ aims to vocalise and explore the realities of working as a creative freelancer in amongst a world of ‘nine to five-ers’. By collating a diverse array of stories from a variety of creative professionals this series hopes to contextualise the working art world and give space to discuss what it really means to become your own boss.
Along with its cooler weather, cosy knit-threads and overpriced pumpkin-flavoured beverages, October’s changing of the seasons includes the the seeing in of ‘Inktober’ for online artists. The worldwide challenge originated with the artist Jake Parker, who wanted to improve his inking skills and set himself the challenge of creating a new, fully inked drawing everyday for a month. The initiative has been incredibly successful on Instagram, where users share and support other artists and encourage each other to keep up with the challenge.
My illustration, ‘Sinktober’ highlights the sinking feeling of the list that keeps growing, the unattainable aspirations and goals you set yourself and the never ending deadline. It’s the restless feeling of carrying too much in what feels like the wrong direction. It’s the friends that you do not see, the family you have not called, and the many projects you did not say no to.
Featured image by Sara Harrington. It shows a person carrying several bags full of stuff whilst towing an indignant dog – the notations identifying the stuff being carried as the person’s workload and stress
The Norwich Radical is non-profit and run by volunteers. All funds raised help cover the maintenance costs of our website, as well as contributing towards future projects and events. Please consider making a small contribution and fund a better media future.
by Sara Harrington
This series aims to vocalise and explore the realities of working as a creative freelancer in a world of ‘9-5ers’. By collating a diverse array of stories from a variety of creative professionals, I hope to contextualise the working art world and give space to discuss what it really means to become your own boss.
The crisp air shocks my puffy, tired face into some form of waking existence. The dog lead wrapped twice around my arm tugs and tugs – the tiny tyrant at the end insistent on getting personal with some arbitrary, malodorous gatepost. Ignoring the hunger gnawing in the pit of my stomach, I trudge on, disgruntled dog in tow. During this morning ritual my brain races as it thinks of self-made deadlines, promotional schemes to send to art directors, and commissions I want to apply for. Each thought tugs and tugs until no answer is arrived at. With no definite plan of how to approach my working day I walk on, still in my pyjamas. My partner left for work ten minutes ago, climbing into their calamitous car and cajoling themselves into the forty-five minute commute to their day job. I am already at work.
by Richard Worth
If you have read my work here at The Norwich Radical and elsewhere (shameless self-promotion, I know) it should be apparent that I enjoy satire. And as reality subtly blends in a dystopian crap-scape, one of the very few plus sides is that the satire game is booming. In addition to the plethora of late night hosts to match personal preference (Colbert does it for me) keeping us informed and helping us to laugh instead of cry, the humble illustration has been holding a mirror up to the corrupt, the cruel, and the incompetent and making them look ridiculous, and they know it.Continue Reading
by Jess Howard
The majority of us will have seen articles featuring ‘Disney princesses redesigned as’. They’ve been tattooed, hungover and turned into pin ups. This time, however, writer and illustrator combo Danielle Sepulveres and Maritza Lugo have teamed up to produce a cartoon featuring Disney princesses visiting the gynaecologist, to promote sexual health awareness and cervical cancer. I have previously discussed why I disagree with cartoons being used to highlight sensitive issues, and this example is no exception.Continue Reading