“WHEN’S WHITE HISTORY MONTH?” AND THE IDENTITY OF ‘BLACK’

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by Emmanuel Agu

Let’s face it, the history we are exposed to in this state is white-oriented, Eurocentric and frequently glamourizes the power and history of Britain’s Imperialism. School curriculum’s explain theorems, recount stories and literature of white heroes, white professors and white creatives. Our history museums and art establishments are filled to the brim of treasures looted from Africa and Asia that continue to remain in our state for claims of ‘greater accessibility’ for the rest of the world– Infact even within the castle of our Monarch sits the remains of buried princes forcibly taken from their homes.  In the supremacist society we live in- white history is celebrated and panegyrized daily, don’t be so ignorant as to ask for your time of remembrance when society does not exclude you.

Black history month exists in defiance of the structures that chose to exclude those that supremacy excludes- but one must, ask what does it mean to be black?

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FAKE IDENTITY

by Alex Valente

Original Italian by Fernanda Romagnoli (1916-1986), ‘Falsa identità’.

Sooner or later someone finds out:
I am already dead
though alive. It is a stranger’s face
offered beneath the hair
suddenly pulled back,
the shadow behind the curtains
wandering at dusk,
the steps towards the door
that won’t open. Hers the song
tricking the neighbours, covering
my buried screams. Someone
sooner or later finds out. But for now…Continue Reading

INTRODUCING CAITLYN JENNER

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by Jess Howard

Disclaimer: mentions sexual assault.

Caitlyn Jenner, who rose to fame as the stepfather of the elder Kardashian sisters, and father to Chris Jenner’s two youngest children Kendall and Kylie, revealed herself to the world this week in a stunning cover photo for Vanity Fair. Shot by world renowned photographer Annie Leibovitz, the July cover finalises Jenner’s transformation from former decathlete gold medal winner, to beautiful woman. Dressed in lingerie and posing in a style reminiscent of the late Marilyn Monroe, the shot is respectable yet coy, showing the world that Caitlyn has finally physically become the woman she was born to be.

The cover scored Jenner a new world record, amassing 1 million twitter followers in just 4 hours. She tweeted ‘I’m so happy after such a long struggle to be living my true self. Welcome to the world Caitlyn. Can’t wait for you to get to know her/me’. However, whilst reactions have been predominately positive, supporting Caitlyn in her transition that was revealed in a tell-all interview with ABC’s Diane Sawyer in April, the cover has caused mixed reactions in the trans community.Continue Reading

THE PLACE FOR POETRY: PERFORMANCE

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by Carmina Masoliver

The Place for Poetry’ conference at Goldsmiths took place from the 7-8th May, and I attended it with She Grrrowls, as well as within my poetry collective, Kid Glove.

Hannah Silva, known for her success as a poet both on page and on stage, delivered her research on ‘Repositioning Performance.’ It was filled with quotations, energy, and analysis of a Salena Godden performance. Immediately it linked to the ever-complex discussion about the page/stage divide, connecting to Malika Booker’s paper later, as well as the She Grrrowls Q&A, whereby BME (Black and Minority Ethnic) poetry is positioned as ‘performance’ or ‘spoken word.’Continue Reading

SIGNAL BOOST: CAN TRANSLATION BE RADICAL?

by Alex Valente, in conversation with Cadi Cliff

This conversation starts in Norwich. The fault is mine, of course, as I start doubting my place within the Norwich Radical, and the role that I, as a translator of poetry, could possibly play in a radical, progressive, critical publication. Enter Cadi Cliff, editor and co-founder, green radical, and a mountain range of humanity.

This conversation, then, is a dialogue of sorts; a voicing of those doubts, translator to editor, reader to reader, uncertain radical to radical, on the place of translation, and poetry, within these virtual walls.

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DIVIDE AND RULE: UKIP’S DAMAGE TO THE WORKING CLASS

by Katherine Lucas

Since its formation in 1993, UKIP has prided itself on its anti-system rhetoric.

Under Nigel Farage’s wisdom, UKIP has latched onto fears about immigration, and in doing so, has done enormous damage to the working classes. Put simply, inciting racial tension is in no way beneficial to a social group that includes people who come from all over the world.

Perhaps it should be of little surprise that a party run by a former inner-city London stock broker do not have the interests of the working classes at heart, but that is certainly not in line with his promises. Through exercising ‘divide and rule’, Farage has injected tension among those who previously stood a better chance of securing change through collective action.

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