THE RIGHT TO RIDICULE: SATIRE AS PROTEST

By Jess O’Dwyer

“There is a political power in laughing at these people.”

So say Led By Donkeys, a “Brexit accountability project” created by four friends who wanted to “[channel] frustration into action and [hold] politicians to account with a bit of humour.” The group go around the country putting up billboards with quotes or Tweets from pro-Brexit politicians, as well as projecting or broadcasting previous interviews on Brexit. This is to show a side-by-side comparison of their changes in stance, highlighting contradiction and hypocrisy.

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EXTRACTING THE HITLER URINE

by Zoe Harding

Article contains strong language.

I went to a counter-protest last week.

Chances are you did too, if you’re reading this. The protest, by a group called Unity UK, was opposite the Norwich town hall and was probably against immigrants, although most of the people there seemed to think it was in favour of Brexit and one chap wanted to Drain The Swamp (an odd choice of slogan in a county that would be little more than Thetford and a lot of dry mud if we drained it, but I digress.) The counter-protest, on the other hand, was a who’s who of Norwich’s local lefties, turning up with drums, flags, megaphones and a generally good-natured if slightly intense demeanor, to stand opposite them and drown them out.Continue Reading

ELLIOT AND ELIOTT NEED FRIENDS – TESTING THE WATER AT THE BIRDCAGE

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by Eli Lambe

In preparation for their upcoming show at Brighton fringe, Eliott Simpson and Elliot Wengler took the stage armed with their Tinder profiles – to proposition the audience for friendship. Closing a mixed bag of a night, their set contained some much needed reminders of how comedy can work without the tired, “edgy” humour that so often seems to haunt the stand-up world and which, in my mind, ruined so many of the night’s previous performances.

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BILL MAHER: A JOKE

by Richard Worth

CW: discussion of racial slur

Twiglets, I have an unusual and likely unhealthy relationship with twiglets. Everything about them disgusts me. Their burnt and bitter flavour, their odd withered and gnarled appearance and the quantity in which I consume them.  Likewise, I have an unusual and likely unhealthy relationship with Bill Maher and his show Real Talk.

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REVIEW: UNDERPASS – UEA UNDERGRADUATE CREATIVE WRITING ANTHOLOGY

by Eli Lambe

The Underpass Anthology launch was a real testament to the work and co-operation evident in the newly student-run EggBox publishers – a packed celebration of new talent and potential, and a true contribution to the uniquely welcoming and encouraging style of the Norwich arts scene.

The anthology itself worked in the same way, amplifying both familiar and new voices, and bringing them together in a truly collaborative and beautiful book. The experimental and the traditional complement each other, and every writer and editor involved should feel immensely proud of themselves.Continue Reading

STRIPTEASE: ADMIRATION FOR SATIRICAL CARTOON

by Richard Worth

If you have read my work here at The Norwich Radical and elsewhere (shameless self-promotion, I know) it should be apparent that I enjoy satire. And as reality subtly blends in a dystopian crap-scape, one of the very few plus sides is that the satire game is booming. In addition to the plethora of late night hosts to match personal preference (Colbert does it for me) keeping us informed and helping us to laugh instead of cry, the humble illustration has been holding a mirror up to the corrupt, the cruel, and the incompetent and making them look ridiculous, and they know it.Continue Reading

REVIEW: ROWENA KNIGHT’S ALL THE FOOTPRINTS I LEFT WERE RED

by Carmina Masoliver

Rowena Knight has been making waves both in terms of poetry on the page (including Magma, Cadaverine and The Rialto) and on the stage, being a regular at poetry nights across London, as well as a team member of She Grrrowls. Self-identifying ‘Feminist Killjoy’, the collection deals with becoming a woman and growing up as an immigrant from New Zealand as a teenager.Continue Reading