by Tim Forster
Punk 4 The Homeless has been busy raising money for homeless children in Central America since January 2010. They’ve been doing this through a variety of gigs throughout any given year and with a monthly Benefit Gig at the Sumac Centre in Nottingham. The monies raised are channelled through Compass Children’s Charity which started as Casa Alianza UK in February 1999 to raise funds for programmes in Mexico, Guatemala, Honduras and Nicaragua.
Casa Alianza was founded in 1981 in response to the senseless death of one child – 13-year-old Nahamán Carmona López – a street child kicked to death in Guatemala City by four police officers who found him sniffing glue on the streets to combat his wracking hunger pains. This incident lies behind the P4TH slogan, ‘Stopping Cops Killing Kids Is Punk Rock’.Continue Reading
by Kev Walker
Content warning: mentions substance misuse, mental health, homelessness, conflict
It’s all bling and totter, down the lights of the highstreet, drunk by the train journey there
Cackles and shouts, tales of shagging and swearing, cosmetics squeeze out the air
Bravado and vanity, beer and wine, heading for the first open club
Boys strut with their chests out, showing a leg, only thoughts are of getting a rub.
He’s crouched in the corner, a-top a damp box, wrapped in a half soaking doss-bag
A dog by his side, as companion and protector, a mucker to share a sparse nose-bag
He shakes with the cold, but also the comedown the cider has long since left him
A blot-out, a release, from the pain in his mind and the mess he now finds himself in.Continue Reading
by Hannah Rose
I saw the best minds of my generation destroyed by madness, starving hysterical naked.
Allen Ginsberg, San Francisco. 1955
Aliyah has lived in San Francisco’s Mission district her entire life, which I estimate at being around twenty-eight years. Mission is the city’s working class and Latino area. She sleeps on the living room floor. The TV is on and throws intermittent light over her slumbering form, phone still in hand. I have to step over Aliyah on my way to her room—which I am renting through Airbnb for the week—and am careful not to wake her despite the blare of the TV. On the wall, beneath a tangle of half-deflated gold balloons left over from a party, is a giant poster of Whitney Houston—the queen of pop. Behind the water cooler is the silhouetted form of Michael Jackson—the king of pop—suspended on tippy-toes and ‘He Lives’ stencilled beneath.
Photographs of Aliyah and her husband smile back at me from heart-shaped frames that decorate the far wall and on a small, white canvas the words ‘Life is the Flower for which Love is the Honey’ are in poppy-red. One of a few splashes of colour in this windowless, dimly lit apartment.Continue Reading
by Olivia Hanks
“Walk down your local high street today and there’s one sight you’re almost certain to see. Young people, faces pressed against the estate agent’s window, trying and failing to find a home they can afford.” Sajid Javid’s words, in his speech launching the government’s latest white paper on housing, were rather unfortunate. The sight we’ve all been seeing on high streets this winter is the clusters of sleeping bags in doorways, the faces those of people failed so badly by society that they no longer have anywhere to live at all. This lack of understanding of what the housing crisis really is – not just thwarted aspirations of ownership, but squalor, overcrowding, evictions – sets the tone for this misfiring, misleading, self-contradicting paper.Continue Reading
By James Anthony
As another Christmas passes us by, society suddenly remembers about the people living their lives on the streets. The cold weather and family focus of this time of year always seems to bring about fresh discussion, reports, and news concerning the issues around homelessness. Thankfully, much of the talk on the subject – especially on social media – is rather positive. This year I’ve seen a considerable number of friends and colleagues on Twitter and Facebook talking about admirable projects that provide food, care and company to those without a home during the Christmas period.
by Hannah Rose
Director Tim Lane’s adaptation of Richard III is bone-chilling—and that’s not only down to the lack of heating in the Shoe Factory Social Club in Norwich. Shakespeare’s story of the wicked and rapacious King Richard is superbly located by Crude Apache in the disused factory space, which has been turned into a frightening vision of the future, an urban hinterland where people live in makeshift communities of cardboard boxes and behind wire fences. Exposed lights, metal girders and old sofas furbish the old factory; I could have been inside a modish bar in Hackney, or a punk squat in Berlin. The thumping techno beats made it all the more ethereal, and for a moment I was back at an illegal rave I once went to when I was twenty, except this one sold gin and tonics and cups of tea.Continue Reading
by Hannah Rose
Now is the winter of our discontent
Richard III reimagined by The Crude Apache Theatre Company
23rd Nov – 3 December
The Crude Apache Theatre Company will be performing a striking adaptation of Shakespeare’s bloodthirsty Richard III at the Shoe Factory Social Club in Norwich. A post-industrial dystopian world awaits audiences, as the Company prepares to throw them into this sinister tale of the power-mad and murderous.Continue Reading