by Zoe Harding
CW: article contains descriptions of the Manchester terrorist attack, racist discourse, links to images of war crimes.
The official threat level after the terror attack in Manchester is back down from Critical to Serious, and the country has started to move on. The news cycle seems to have been slightly shorter, as well; at time of writing the front page of the BBC News website is largely concerned with technical problems at British Airways and I-kid-you-not a cheese rolling competition.
I’d love to say that this particular terrorist incident didn’t incite the usual wave of hate and disgustingly inappropriate coverage that tends to follow such events, including random hate crimes, thundering headlines and political manoeuvring. I’d love to.
But The Daily Mail exists. And The Sun. And the political climate in the UK has become sufficiently toxic that even without those two, the response was nonetheless as unpleasant as any I’ve seen.Continue Reading
by Mike Vinti
It’s been a pretty big couple of weeks in the pop world. Prince died, Beyoncé pulled a well, a Beyoncé, and today (Friday April 29th) Drake has released his new album VIEWS. If ever there was a week to remind us of popular music’s impact on society and culture, this is the one.
While each of these moments are significant in their own right and worthy of articles of their own, of which there have been many, together they’ve demonstrated the power of music to unite people. Be it through, grief, shock or pure unadulterated hype, the three most significant cultural moments of the past eight days have used music to bring people together and for a few days at least, forget about those intent on tearing us apart.Continue Reading
by Chris Jarvis
For twenty years, Goldblade have been tearing up the British punk scene. Notorious for their anthemic, straight up punk rock with the odd bits and pieces borrowed from rockabilly, hardcore and street punk, the Manchester based band are infamous among fans for their energetic and powerful live performances (I once described them to a friend when I was fifteen as the best live band on the planet after seeing them open for Misfits on their 30th anniversary tour). But like many in the punk scene, Goldblade are also known for their political and social conscience, and so we decided to talk with their frontman John Robb about his political outlook, the relationship it has to his music and how he views it in a wider political context as part of our series Music That Matters.