THE RIGHT TO RIDICULE: SATIRE AS PROTEST

By Jess O’Dwyer

“There is a political power in laughing at these people.”

So say Led By Donkeys, a “Brexit accountability project” created by four friends who wanted to “[channel] frustration into action and [hold] politicians to account with a bit of humour.” The group go around the country putting up billboards with quotes or Tweets from pro-Brexit politicians, as well as projecting or broadcasting previous interviews on Brexit. This is to show a side-by-side comparison of their changes in stance, highlighting contradiction and hypocrisy.

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SATIRICAL SABOTAGE

by Richard Worth

Sean Spicer made an appearance at the Emmys on Sunday evening and an institution I hold incredibly dear to my heart almost destroyed itself. It was unexpected and extremely upsetting, but with time I think things could be alright.  I am not referring to the Emmys of course, but to the tradition of satire.

Since the dawn of the Trump Era (a TARDIS-like section of time that hopefully, history will see as quite brief but which feels eternal to those in it), satire has arguably become more important than ever before. I’ve written about it a number of times for The Norwich Radical and I genuinely believe that mockery of the maniacal and mighty serves as a psychological sword and shield, at once cutting into the ego of demagogues and simultaneously protecting us from being pummelled into submission by their beliefs.

These past few years, as the Right, the Centre and, though it pains me to admit it, the Left have started to construct their own realities, satire has become more confusing as writers around the globe have all but given up trying to match the farcical nature of the world, but we still fought on under the banner of “this is not normal”.

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