by Laura Jamieson
Last Saturday, July 15th, saw the Eastern Mermaids travel to Upton-Upon-Severn to compete in the second southern fixture for the Quidditch Premiere League. Quidditch – a real, full contact, mixed gendered sport – has rapidly grown over the last ten years, with over 500 teams across 26 countries, competing in national and international tournaments. Played using ‘brooms’ made of PVC pipe, the players aim to score points by throwing the quaffle through three hoops on opposite ends of the pitch, all whilst avoiding beaters, players armed with dodgeballs aiming to briefly knock their opponents out of the game.
After 20 minutes, the seekers and snitch take the pitch, a player from each team aiming to ‘catch’ a tag rugby style ball in a sock attached to the back of a neutral player’s shorts. Quaffle goals are worth 10 points, with a snitch catch worth 30 points and ending the game. Full contact and competitive, the sport has seen many people otherwise disinterested or alienated from mainstream popular sports become engaged and active, some going from stationary nerds to cardio and protein enthusiasts, other players having previously played sport, joining due to the appeal of a unique, inclusive sport unlike any other.Continue Reading
by Candice Nembhard
In May 2016, Birmingham City University announced it will be accepting applications for its new degree in ‘Black Studies’— the first of its kind in Europe. The course is said to be an interdisciplinary area of study that will look into migration of the African diaspora, black scholars, and the effects of economics within black communities. Estimated to parallel the popular and esteemed African-American study programmes present at the likes of Yale, Harvard, and Howard University, this programme is finally addressing an underlying problem within British education. More specifically, why black voices have long been ignored or overridden in academic spheres. As a Birmingham native, I have never been more proud to witness this advancement, but we cannot stand by the belief that its implementation is enough.Continue Reading
by Jake Reynolds
When I told a sub-editor of The Norwich Radical that I wanted to write an article in which I explore the fan-fiction community, his first words of advice were ‘steer clear of mpreg’. You can Google ‘mpreg’, if you like. If you’d rather not, socio-political zeitgeist Buzzfeed offers a simple definition: ‘the term for a genre of art and literature where a man is pregnant.’
This is precisely what fascinates people about fan-fiction: its alleged tendency to veer towards the bizarre, the unknown, and, some would say, the un-publishable (although nowadays the proliferation of fiction appearing online throws the whole question of what is/is not ‘publishable’ into question). Talking about fan-fiction right now conjures that which we have seen before – excerpts of sexually charged dialogue between Benedict Cumberbatch’s Sherlock Holmes and Andrew Scott’s Moriarty, for example (a pairing so popular that Sherlock co-creator and renowned fan-teaser Steven Moffat wrote a scene in which the two lean in for a kiss, albeit in his usual roundabout, not-quite way).
But of course, we know that not all fan-fiction is like this. Continue Reading
by Cadi Cliff
Content warning: mentions abuse and rape.
Fifty Shades of Grey. The Twilight fanfiction by E.L. James has sold over 100 million copies around the world. The film, with a Valentine’s weekend release, had been marketed as the ultimate date-night movie, an ‘incredible fairy-tale love story’, a piece of ‘mommy porn’. I’m going to start this by saying that yes, I have read the Fifty Shades of Grey trilogy (borrowed, not bought), and no, I do not condone censorship. You are free to read and watch what you like. However there is something about the credibility given to Fifty Shades by the volume of individuals going to watch it — it took £1m in ticket sales ahead of its February 13th 2015 release — that doesn’t sit well with this writer.Continue Reading