MUSIC THAT MATTERS – ICYMI: STÖJ SNAK INTERVIEW WITH NIELS SØRENSON

by Sara Harrington

Part of  a series exploring great music from the DIY music scene that you may have missed.

Hi Niels, thanks so much for letting me bother you with lots of questions! How are you doing today?

No worries. My pleasure. I’m pretty good today – currently in an airport, waiting for a plane to Copenhagen where I’m going to visit an old friend and see a Guns ‘n’ Roses show. Ten year old me is stoked.

So, I’m pretty late to the game and only just stumbled across you and your musical endeavours – Can you tell me a bit about ‘Stöj Snak’ and how it started and who is involved?

Stöj Snak is a ScreamerSongwriter band from Denmark. I started Stöj Snak as an acoustic solo act around 4 years ago – basically just me recording songs in my apartment as a hobby project. It was never meant for anyone to hear.

Since then the band has grown to a four piece with drums, washboard, upright bass and other trash instruments but the attitude towards the music is still very much the same – we do everything ourselves and because it’s fun. It’s basically the antithesis to Guns ‘n’ Roses.Continue Reading

DON’T CALL IT A COMEBACK

by Mike Vinti

We’re barely a month into 2016 yet it’s becoming plain to see the musical trend that’s going to dominate the next twelve months: comebacks.

For as a long as there’s been a history of popular music there have been comebacks, it’s a natural part of the scene. The bands and musicians you idolise as a child and throughout your teenage years hold a special place in your heart and that’s always going to translate into a desire for more music and more shows form those artists; nostalgia is a powerful force.

Of, course, where there’s nostalgia, there’s money. Artists that have been around for longer can charge more for tickets, command larger production budgets and utilise the demand from fans to open doors not available to their more contemporary peers. This is doubly true for those than have been away and come back again. From Blur to Black Sabbath, Take That to Jay-Z, the combination of die-hard fans and risk averse record label execs sets the stage perfectly for a comeback if you’ve been officially out the scene for more than five years. Money and nostalgia, it seems as simple as that, right?Continue Reading