by Carmina Masoliver
On a recent trip to Bristol, I found myself in a pop-up art exhibition. The city itself was all I had imagined it to be – a hub of creativity that shows it’s no wonder why more and more creatives are making the move towards South West. The exhibition itself was called Honey Art Show and took place between 14th-19th December at Centrespace Gallery. The opening night was bustling with people, with on site screen-printing, music, and a generally chilled vibe. The following are six artists from this exhibition that I was particularly drawn towards.
by Sara Harrington
This series aims to vocalise and explore the realities of working as a creative freelancer in a world of ‘9-5ers’. By collating a diverse array of stories from a variety of creative professionals, I hope to contextualise the working art world and give space to discuss what it really means to become your own boss.
The crisp air shocks my puffy, tired face into some form of waking existence. The dog lead wrapped twice around my arm tugs and tugs – the tiny tyrant at the end insistent on getting personal with some arbitrary, malodorous gatepost. Ignoring the hunger gnawing in the pit of my stomach, I trudge on, disgruntled dog in tow. During this morning ritual my brain races as it thinks of self-made deadlines, promotional schemes to send to art directors, and commissions I want to apply for. Each thought tugs and tugs until no answer is arrived at. With no definite plan of how to approach my working day I walk on, still in my pyjamas. My partner left for work ten minutes ago, climbing into their calamitous car and cajoling themselves into the forty-five minute commute to their day job. I am already at work.
by Alex Hort-Francis
There’s an exchange in the original 90s British version of House of Cards (it’s on Netflix and just as good, if not better, than its US counterpart) that goes like this: the Conservative prime minister asks an advisor, “How do you rate the performance of this Government?” The advisor replies, “You’ve got 46% of the people, and that means you can afford to ignore the rest. The opposition has no chance because it’s got no powerbase. Most of the ‘underclass’ aren’t even registered to vote. You’ve virtually destroyed the two-party system.”
Some things apparently never change.Continue Reading