FREELANCE STRUGGLES: ILLUSTRATOR, 6 MONTHS IN

by Sara Harrington 

This series aims to vocalise and explore the realities of working as a creative freelancer in a world of ‘9-5ers’. By collating a diverse array of stories from a variety of creative professionals, I hope to contextualise the working art world and give space to discuss what it really means to become your own boss.

The crisp air shocks my puffy, tired face into some form of waking existence. The dog lead wrapped twice around my arm tugs and tugs – the tiny tyrant at the end insistent on getting personal with some arbitrary, malodorous gatepost. Ignoring the hunger gnawing in the pit of my stomach, I trudge on, disgruntled dog in tow. During this morning ritual my brain races as it thinks of self-made deadlines, promotional schemes to send to art directors, and commissions I want to apply for. Each thought tugs and tugs until no answer is arrived at. With no definite plan of how to approach my working day I walk on, still in my pyjamas. My partner left for work ten minutes ago, climbing into their calamitous car and cajoling themselves into the forty-five minute commute to their day job. I am already at work.

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‘ONLY HOPE CAN WIN’: LABOUR NEED TO GO ON THE OFFENSIVE – ELECTING CORBYN IS THE FIRST STEP

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by Alex Hort-Francis

There’s an exchange in the original 90s British version of House of Cards (it’s on Netflix and just as good, if not better, than its US counterpart) that goes like this: the Conservative prime minister asks an advisor, “How do you rate the performance of this Government?” The advisor replies, “You’ve got 46% of the people, and that means you can afford to ignore the rest. The opposition has no chance because it’s got no powerbase. Most of the ‘underclass’ aren’t even registered to vote. You’ve virtually destroyed the two-party system.”

Some things apparently never change.Continue Reading