In my earliest years, my great-grandmother used to sit with me in her bungalow, a low-roofed gloomy building with carpets like moss, to tell me I was the ‘best boy in the wewd’. I believed her, of course – she made fantastic cheese on toast and gave me ice pops (‘lolly ices’ to her) out of love. She was family. I took her words as law; I would recite everything I heard her say back to my mother when I was dropped off at our flat. But, rather than approval, I was met with correction – not of the message, but the delivery.
By Lewis Martin
It is a time of extraordinary potential for change in UK Higher Education. Labour’s promise to end tuition fees has defied the critics and united many behind Corbyn’s political project. But what will the implications for universities be if this comes to pass? And what can we do to leverage this progress? In this series, the Norwich Radical and Bright Green are bringing together perspectives from across the sector to explore these questions.
Up and down the UK, from Edinburgh to Brighton, students are building alternatives to existing, exploitative housing and food practices. How? By creating co-operatives! These alternative ways of organising are expanding and flourishing at a rate never seen before, as students look to take their lives into their own hands, in defiance of the rising cost of living and exploitative landlords and businesses. The founding of Student Co-operative Homes, a launch pad organisation for potential student housing co-ops across the UK founded by the grassroots network Students for Co-operation and supported by national co-op federation Co-Ops UK, demonstrates the growing support for these independent, democratic projects.
by Eli Lambe
Released shortly before the disaster at Grenfell, Dispossession: The Great Social Housing Swindle is a timely and balanced exploration of the factors that led to the tragedy, and to the wider social cleansing of working class and low income communities throughout the UK. Introducing the film to a packed room in Norwich’s Cinema City, director Paul Sng emphasised the need to counter the “media culture of denigrating people who live in social housing”. The goal of the film, for Sng, was to show that people living in these estates and situations are valuable in themselves, and that the communities that exist there are important and should be preserved, as well as highlighting how this is overshadowed constantly by the prioritisation of profit and private sector gains.
Borderlines is a collection of thought pieces, some creative, some direct accounts, some memoirs, all true. Borderlines collects stories from people who are not fleeing from one country to another, but rather chose to move, or were made to do so by a series of non-threatening circumstances. In these stories there is anger, hope, disappointment, joy, fear, optimism. They are all different, and yet all striking in their approach to the subject matter.
Borderlines aims to show the reality of migration, and how we are all, in our own way, migrants.