The Lovely Eggs brought a buzz to an eager crowd at the Waterfront on a Tuesday night last April. Formed by the Lancaster couple Holly Ross and David Blackwell, the band delivers a charismatic hippie-punk sound which brings the room to life. Although there are only two members, there is enough going on to satisfy any noise-hungry gig-goer. Holly juggles vocals with the guitar, complemented by David on the drums, creating something which is lively, interactive, and absurd.
by Tom McGhie
Content warning: sexual harassment, sexual abuse, misogyny
There are few greater feelings than when an artist connects with their audience at a gig, something more than just applause and guitar chords. Most people have, at some point in their lives, attended a gig which has stuck in their memory because of that very exchange between performer and public. This visceral communication is what propels music as one of the most important art forms; it brings people together in an ever-dividing societal sphere.
by Tim Forster
Punk 4 The Homeless has been busy raising money for homeless children in Central America since January 2010. They’ve been doing this through a variety of gigs throughout any given year and with a monthly Benefit Gig at the Sumac Centre in Nottingham. The monies raised are channelled through Compass Children’s Charity which started as Casa Alianza UK in February 1999 to raise funds for programmes in Mexico, Guatemala, Honduras and Nicaragua.
Casa Alianza was founded in 1981 in response to the senseless death of one child – 13-year-old Nahamán Carmona López – a street child kicked to death in Guatemala City by four police officers who found him sniffing glue on the streets to combat his wracking hunger pains. This incident lies behind the P4TH slogan, ‘Stopping Cops Killing Kids Is Punk Rock’.
cw: mentions domestic violence
At the end of September, I attended and took part in Hastings Fringe Festival and got the chance to watch Spinal Krapp by Darren Maher, a ‘stand-up tragedy’ based in Dublin in the 1980s. Although initially uncertain, I ended feeling thoughtful about the piece, which explored the impact of violence on children, as well as looking at the ‘making of a monster’. When it comes to domestic violence, whoever the victim or perpetrator, it is ultimately about power and control. It was interesting to see this prior to attending the fundraiser for Penny Beale Memorial Fund, which similarly weaved tragedy and comedy together, bringing a different kind of poignancy to the night.
The Penny Beale Memorial Fund was started by the mother of Penny Beale (of the same name), whose daughter was murdered in 2001 after years of abuse by her partner. The charity aims to offer information and advice about domestic abuse through various means. The fundraiser opened with an introduction by Penny Beale, and a song by Carol Prior, who also compered the evening. Also on a musical note, Las Pasionarias’ powerful folk songs had an uplifting effect and there was a great feeling of sisterhood as they sang together, wearing in red and white flowers pinned to their clothes. The audience joined in for a song about Mother Earth, where we were united in its message of care and respect. Mellow Baku took to the stage with a guitar, referencing having grown up in a cult. Although the details were not spoken of in the same specificity as others, the emotions of this were shown through song. Baku not only delivered songs on guitar, but also recited poetry, making use of loop pedals and her incredible voice.
Are you looking for a way to get your voice heard? Do you have a book of poems on your bedside table that nobody ever reads? Isn’t it time somebody listened to you?
If you answered yes to any of these questions then you may be suitable for “Words w/ Friends Vol II”.
Part of a series exploring great music from the DIY music scene that you may have missed.
Hi Niels, thanks so much for letting me bother you with lots of questions! How are you doing today?
No worries. My pleasure. I’m pretty good today – currently in an airport, waiting for a plane to Copenhagen where I’m going to visit an old friend and see a Guns ‘n’ Roses show. Ten year old me is stoked.
So, I’m pretty late to the game and only just stumbled across you and your musical endeavours – Can you tell me a bit about ‘Stöj Snak’ and how it started and who is involved?
Stöj Snak is a ScreamerSongwriter band from Denmark. I started Stöj Snak as an acoustic solo act around 4 years ago – basically just me recording songs in my apartment as a hobby project. It was never meant for anyone to hear.
Since then the band has grown to a four piece with drums, washboard, upright bass and other trash instruments but the attitude towards the music is still very much the same – we do everything ourselves and because it’s fun. It’s basically the antithesis to Guns ‘n’ Roses.
CW: graphic imagery, menstruation
Wads of tissue swaddle the gushed gusset of my soon to be late underwear. DIY panty-lining for a DIY punk show. Tissue becomes currency as it is discovered that none of the loos in the entire venue have any – my stash acquired from the Wetherspoons further down the road. No cubicle provides the menstrual cup removing privacy of an old fashioned door. Instead, makeshift curtains swathe the space between yourself and a sorry stranger as the feat of dealing with your period in a space that assumes you do not have one trickles down your hand in all its bloody glory.
Do not have your period at a punk gig.
CW: In-depth descriptions of experiences of the menstrual cycle.
Writer’s note: For further reading I highly recommend this article by Allison Crutchfield of ‘Waxahatchee’ and ‘PS Eliot’ fame – reading it helped dispel my fears that being a woman in a band and having different needs are totally legit.
How To Pack For Tour:
Bring knickers for at least every day, have spares just in case of period mishaps. Outfits need to be nice but functional for sweating through on stage. Nothing too girly, you don’t want to draw attention to yourself. Socks – same rule as the knickers, no spares. Have pyjama bottoms, you cannot sleep in pants, it’s too weird for girls to do. De-pot all your toiletries so as to not take up too much space in your bag. Do not take up too much space. Face wash, toner, moisturiser, deodorant bar, tiny shower gel, toothpaste, dry shampoo. Do not be high maintenance. A flannel is needed for the face wash – it cannot be taken off with anything else and face wipes break you out. Flannels will get wet so hang these on a DIY clothes line erected in the van. Bring the pill.
A series exploring women and genderqueer identities within the DIY Punk and Arts scenes. In this installment Sara Harrington depicts scenes from her own experience playing in a touring ska punk band.
CW: verbal and sexual assault
Part of a series exploring women and genderqueer identities within the DIY Punk and Arts scenes. In this installment, Sara Harrington depicts scenes from her own experience playing in a touring ska punk band.
Trumpet case in hand, I try to enter the venue as my bandmates breeze on by.
‘I’m playing actually.’
This is uttered with an embarrassed air, the knock to my ego glances across my face. Fair enough, I’ve not been in the band long.
‘Oh, who are you with? There’s no guest list.’
‘Sorry, I play trumpet in the band.’
Lifting my trumpet case, I point at it awkwardly. A nod as it’s decided that I pass all requirements necessary to gain free entry to a show I’m playing. I go to join my bandmates as we pile our gear into the backroom and start setting up for sound check.