by Candice Nembhard
In recent years the discussion of gentrification and globalisation has become almost unavoidable – and for the most part, these terms have now been resigned as popular buzzwords in pseudo-intellectual conversations. As glib as this may sound, I shall do my best to explain.
While many a piece has been written on this subject, this is in fact not my primary focus. My intention is not to deny the lived and consequential reality of western mobilisation, but rather look towards the supporters and benefactors of this growing socio-economic practice. In particular, a generation of young people who are forgoing academic careers in favour of acquired/inherited wealth and personal development. More specifically, I will focus on my experience in post-Brexit Germany.Continue Reading
by Carmina Masoliver
The cover of Better Watch Your Mouth displays a set of lips and teeth pulling the kind of expression you would make after being told such a thing. It suggests an unapologetic rejection of censorship, which is later reflected in the poem ‘Ugh, Men’ with the statement ‘we will not censor ourselves (x3)’.
This is a collection that mixes everyday language with profound metaphor, and beautiful imagery with emotive stories. It begins with the telling of others’ stories and gradually becomes more personal, yet in a way that is also relatable, as time skips back and forth like the mind floating back to memories, some singed with pain and others with nostalgia.
by Rob Harding
Content warning: article contains strong language and mentions transphobia, rape, death threats, online harassment, homophobia, biphobia and bi erasure.
So this week a friend of mine said something on Twitter about accepting transgender people as people, regardless of genitalia. One of those reasonable discussions that occasionally ensue on the internet ensued, and ended with her getting dog-piled with sufficient angry, hateful messages to nearly crash her ageing iPhone and accusations ranging from homophobia to gaslighting and advocacy of corrective rape. While the barrage of tweets from a dozen accounts was polite by online discourse standards (for ‘polite’, read ‘no swearing but massively condescending, dismissive, pompous and worryingly intense’) the death threats and abuse that followed in private messages was significantly less so.
Once more, my friend had attracted the ire of the TERFs.Continue Reading
by Hannah Rose
Virginia Woolf stated in her 1929 seminal essay A Room of One’s Own that, because women remain unequal to men in society, they are less likely to succeed as writers. A writer has two basic requirements in order to write productively: an independent income which provides basic necessities—food and shelter— and uninterrupted writing time. In 1929, the majority of British women were either working to provide the basic necessities for others, and did not have a private space in which to pursue a creative life or an independent income. This, says Wolf, is why the literary canon is dominated by men. “Intellectual freedom,” she writes, “depends upon material things.”
Almost a century later, some women are still having to argue their right to a creative life.Continue Reading
by Rowan Gavin
I was recently excited to hear of a new module being run in the Politics department at UEA next academic year entitled ‘Activist Campaigning’. Module convenor Dr Ben Little was good enough to let me interview him about the course, its history, and his hopes for its future at UEA.
by Carmina Masoliver
Whilst living in Spain – though I have missed my loved ones – what I have missed most is the abundance of poetry and arts nights you can find in London. It wasn’t long before I arrived in Córdoba that I went in search of events. I saw an old poster for a “Poetry Slam” at the Jazz Café, but it didn’t appear to exist any more. I then stumbled upon Mujeres Poetas Internacional. I contacted founder Jael Uribe, from the Dominican Republic, and she soon responded and contacted the organisers in Córdoba, and even translated four of my own poems into Spanish.
I corresponded with Sergio Perez Rodrigeuz and Maria Pizarro, organisers of the Grito de Mujer at which I was booked to read. I emailed in Spanish, which perhaps led them to believe I could speak Spanish, which is certainly not the case (writing =/=speaking). There were awkward moments, such as me not realising a group photograph included me and having it retaken, and me staring blankly when trying to discuss the proceedings (thankfully an audience member with some English skills stepped in). But for a night of poetry where I could only pick out a few words, it showed that poetry was well and truly alive in Spain.Continue Reading
by Julian Canlas
In October 2015, South Asian trans performer and activist Alok Vaid-Menon called for more visibility of folx that do not fit the man/woman binary. While various media outlets proclaim that we are at a ‘transgender tipping point’, an unprecedented period of visibility for trans-people, Vaid-Menon argues that those non-conforming don’t necessarily reap the benefits of this time. After all, this tipping point revolves around trans-celebrities such as Caitlyn Jenner, Laverne Cox and Ian Harvie, who visibly fit into the archetypal aesthetics of either manhood, or womanhood.Continue Reading