A tall hill of turquoise, gendered cooing and guffawing, chainmail crop tops, and dance-fights with mops, performed to the sound of nineties nostalgia: Lizzy Shakespeare and Michelle Madsen, together known as Bait Theatre, effectively wield experimental drama to tear through the fanciful tropes of traditional fairy-tale femininity.
by Eli Lambe
The Power is a profoundly affecting read. In it, Naomi Alderman envisions a switching of roles and of power dynamics, deftly parodying and reflecting back the ways in which we justify, enforce and understand gender roles.
It asks the question: “What if women were stronger than men; What if men had to be afraid of women?” and follows its core characters – Roxy, the daughter of a British crime boss; Tunde, a Nigerian journalist; Allie, an American foster kid who escapes an abusive household; and Margot, an American Mayor trying to balance her city in the wake of this sudden shift, and protect her daughters Jocelyn and Maddie – as the world progresses towards “Cataclysm.”
Prerna Bakshi’s debut collection Burnt rotis, with love was published in 2016 by Le Zaporogue via Lulu.com. Poems featured in the collection have appeared in many literary journals, magazines and anthologies across the world. Hailing from India, Bakshi offers a refreshing perspective on feminism and the wider would, enlightening readers with its undeniable South Asian roots.
by Hannah Rose
He is driving, she is hanging on his arm. Behind them a vista depicting a wide road disappears into desert upon a large screen. The cherry red of her lipstick matches her low-slung red dress, punctuated by a pair of cowgirl boots. Her dreamy expression says she’s completely at ease, hanging off her man; pleased as punch, because he is in control. But he has never seen the script before; he will be reading off an autocue. She is the one driving the show.
Performer-playwright, Louise Orwin, is touring the UK with her new theatre piece, A Girl and A Gun which was performed at Edinburgh Fringe this summer. Jean-Luc Godard’s adage “All you need to make a movie is a gun and a girl,” is the springboard from which Orwin’s performance dives headfirst into a chilling reality which is anything but surface deep.
The first part of this review, covering some of the events taking place on the Saturday, can be found here.
On Sunday, I attended the Trans Identities panel, featuring, Jane Fae, Munroe Bergdorf and Kate O’Donnell. I often feel that it is difficult to fully understand the trans experience without having lived it, yet put simply, the audience was asked to raise their hands whether they knew their gender at the age of five, alluding to those who transition as desiring the opposite to what they are referred to by others. As the panel highlighted, I’m of the view that to be a Feminist, you need to fight for all women, and that includes trans women. As Crenshaw argued, that is the crux of intersectionality. It’s not really the same if it’s only certain women for whose rights you fight. So, all I can do is listen and search to find out more about what it means to be trans, or gender fluid, or any other non-binary gender identity. It’s a complex topic, and I think most people in the audience could have stayed at least an hour longer. To explore more, you can catch Rebecca Root and O’Donnell in BBC drama Boy Meets Girl, which for some reason, BBC iPlayer don’t have to view.
by Alex Valente
Star Wars. One of the biggest franchises not only in its field, but spanning a multimedia galaxy, has now become even larger after being acquired by Disney. Ranging from books to comics, toys to videogames, music to clothing, costumes, and theme parks. Drawing in accolades, from die-hard fans to casual viewers, from across the world. Star Wars. One of the most impactful, politically muddled, and bizarrely misguided products – and symbols – of Western media.
It was inevitable. As a self-professed nerd, casual toy collector, avid comics-reader, in the presence of one of the biggest releases in cinematographic history about to hit screens worldwide, I could not not dedicate an article to Star Wars. As a Norwich Radical writer, on the other, I also cannot not recognise the immense (infinite?) power and sway the franchise holds, in popular and consumer culture. Just how much of it is really looking forward, and how much is stuck in A Long Time Ago..?