by Sara Harrington
Read Part One of Freelance Struggles here; part Two here.
This series aims to vocalise and explore the realities of working as a creative freelancer in amongst a world of ‘nine to five-ers’. By collating a diverse array of stories from a variety of creative professionals Sara hopes to contextualise the working art world and give space to discuss what it really means to become your own boss.
“Great, welcome to the team”
A decisive hand offers a qualified handshake as I go to leave. It’s brisk and practiced, a clear powerplay perceptive to all those who encounter its efficient grip. Escorted down the stairwell and out of the premises, the automatic doors swish shut, the carefully constructed professional demeanour and gentile phrases I cultivated for the occasion are left behind. I’d got it.
But this is the story about how I quit my grad job after just three days.
by Sara Harrington
This series aims to vocalise and explore the realities of working as a creative freelancer in a world of ‘9-5ers’. By collating a diverse array of stories from a variety of creative professionals, I hope to contextualise the working art world and give space to discuss what it really means to become your own boss.
The crisp air shocks my puffy, tired face into some form of waking existence. The dog lead wrapped twice around my arm tugs and tugs – the tiny tyrant at the end insistent on getting personal with some arbitrary, malodorous gatepost. Ignoring the hunger gnawing in the pit of my stomach, I trudge on, disgruntled dog in tow. During this morning ritual my brain races as it thinks of self-made deadlines, promotional schemes to send to art directors, and commissions I want to apply for. Each thought tugs and tugs until no answer is arrived at. With no definite plan of how to approach my working day I walk on, still in my pyjamas. My partner left for work ten minutes ago, climbing into their calamitous car and cajoling themselves into the forty-five minute commute to their day job. I am already at work.