CISGENDERED OR NOTHING – THE ABSENCE OF LGBTQ+ CHARACTERS IN FILM

by Jess Howard

Earlier this month, Warner Bros and DC released their latest superhero film Suicide Squad, sending mixed reactions across the internet as viewers commented on the film’s plot line and the sexualisation of squad member Harley Quinn. Audience and critics’ opinions aside, what is explicitly noticeable within the film is the lack of LGBTQ+ characters, such as DC character Batwoman, for example if Batman can make a cameo, why not her? In a world with superheroes, Killer Crocs, and witches, why are production companies still refusing to feature LGBTQ+ characters in their films?Continue Reading

SWEET TRANSVESTITE? REPRODUCING FILMS IN 2016

by Jess Howard

When it comes to film remakes, many viewers are very protective of their original cinematic loves. In the same way that people react to novels being turned into films, many feel that film scripts should be left well alone, with the common opinion being that it was the original script, cast, and production that made their old favourites work so well. However, as with any form of art, films are constantly ageing, and so new perspectives are constantly being developed and incorporated.Continue Reading

THE SPECTRE OF IDEOLOGY

by Jack Brindelli

In the years following the Second World War, Britain had shifted in ways many thought impossible. In the 1950s, amidst the fading colonial legacy of a crumbling empire, with increasing levels of immigration and the decreased faith in the power of the free market led, the country’s middle class felt stranded. These revolutionary changes in the country’s fabric radically challenged the ideas they had been raised to adhere to in the name of success. Middle England was holding out for a hero – and boy did Ian Fleming’s gin-swilling womaniser give them one.

James Bond is a cultural artefact – an ideological snap-shot, emerging initially as the embodiment of the established order, in order to defend it. Such was the archetypal appeal of the character, and so in tune was he to the fears of the middle class, that he soon moved seamlessly between mediums. In a world where Britain’s influence seemed to be waning, and where marginalised races and genders were pushing for equality, Bond showed Middle England could still have it all – no wonder he’s cited as being David Cameron’s inspiration for foreign policy, 007 is a conservative’s wet-dream.Continue Reading