ACTING DISABLED: WHY WE NEED TO SEE DISABILITIES ONSCREEN

by Alice Thomson

(Content warning: discussion of ableism & ableist slurs)

The summer of 2016 saw outrage in response to the film Me Before You and its portrayal of disability. The film, directed by Thea Sharrock and based on the book by Jojo Moyes, is a romance following the lives of a young man (played by Sam Claflin) and woman (Emilia Clarke). Where’s the controversy in that, you ask? Well…

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SWEET TRANSVESTITE? REPRODUCING FILMS IN 2016

by Jess Howard

When it comes to film remakes, many viewers are very protective of their original cinematic loves. In the same way that people react to novels being turned into films, many feel that film scripts should be left well alone, with the common opinion being that it was the original script, cast, and production that made their old favourites work so well. However, as with any form of art, films are constantly ageing, and so new perspectives are constantly being developed and incorporated.Continue Reading

THE BECHDEL TEST FEST

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by Carmina Masoliver

Sunday 8th February saw the launch of The Bechdel Test Fest at Genesis Cinema in East London. The test itself emerged after Alison Bechdel published a comic strip, inspired by friend Liz Wallace, where one character has a set of rules for watching a film. The criteria for passing the test are whether the film has two named female characters who talk about something other than a man. It is widely acknowledged as an extremely low bar.

Set up 30 years ago now, it seeks to address the gender bias in works of fiction; it has been found that just around half of films pass this test. With such a low bar set, the figure should be closer to 100%. This festival, led by Corinna Antrobus, puts The Bechdel Test in the spotlight, and aims to provoke discussion on gender in the film industry. In an effect to ‘reclaim the rom-com’, the launch event featured 2014’s Obvious Child and classic The Philadelphia Story — though I couldn’t stay for this part. After the first screening there was a panel discussion, including a video statement from Chloe Angyal about a statement she made that there is “no such thing as a feminist rom-com”, arguing that this is largely because society is still sexist.

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NOT ‘JUST A STORY’: FIFTY SHADES AND AN ABUSIVE REALITY

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by Cadi Cliff

Content warning: mentions abuse and rape.

Fifty Shades of Grey. The Twilight fanfiction by E.L. James has sold over 100 million copies around the world. The film, with a Valentine’s weekend release, had been marketed as the ultimate date-night movie, an ‘incredible fairy-tale love story’, a piece of ‘mommy porn’. I’m going to start this by saying that yes, I have read the Fifty Shades of Grey trilogy (borrowed, not bought), and no, I do not condone censorship. You are free to read and watch what you like. However there is something about the credibility given to Fifty Shades by the volume of individuals going to watch it — it took £1m in ticket sales ahead of its February 13th 2015 release — that doesn’t sit well with this writer.Continue Reading