EDINBURGH FRINGE 2019 – PART 2

by Carmina Masoliver

trigger warning: mentions of sexual assault, mentions of transphobia

My second week at Edinburgh Fringe Festival offered a selection of shows more overtly dealing with Feminist themes. This selection ranged from the role that gender has to play in our experience of the dating world in the digital age, an exploration of the ‘pretty privilege’ set against trans experiences, to an examination of celebrities as female role models.

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EDINBURGH FRINGE 2019 – PT 1

edinburgh fringe 2019

by Carmina Masoliver

Edinburgh Fringe festival seems to get bigger and bigger each year; there are hundreds of shows to choose from and the densely-packed programme can be difficult to decipher. Here we have briefly reviewed three distinct shows from the 2019 edition, dealing with the mind, the body, sexuality, relationships and gender.

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REGENERATING THE COAST THROUGH DANCE: A REVIEW OF FIRST LIGHT FESTIVAL

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by Alex Day

At 4 AM, in Lowestoft, Suffolk, a crowd assembled on the beach. On stage, Talvin Singh performed a 45-minute rendition of ‘Light’, from his Mercury Prize-winning album Ok. Waves of dreamy ambient sound flooded in. With impressive synchronicity, a soft blue light filled the sky. 

It was the weekend of the summer solstice, a celebration of the arrival of summer, and the longest day of the year, at Britain’s most easterly point. We were gathered for First Light Festival; an eclectic pageant of orchestras, electronic music, contemporary dance and workshops in honour of our closest star, the Sun. Free to enter and running continuously for 24 hours, First Light included attractions such as Gilles Peterson and Rosemary Lee. On the beach, locals and outsiders fused into a rosy heap under 30-degree temperatures. 

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KILL THE PRINCESS, BY BAIT THEATRE

kill the princess review bait

by Sunetra Senior

A tall hill of turquoise, gendered cooing and guffawing, chainmail crop tops, and dance-fights with mops, performed to the sound of nineties nostalgia: Lizzy Shakespeare and Michelle Madsen, together known as Bait Theatre, effectively wield experimental drama to tear through the fanciful tropes of traditional fairy-tale femininity.Continue Reading

REBEL KITES

by Sarah Edgcumbe

“We are fighting for freedom. We are fighting for our smiles. We don’t care what the occupation thinks about us or what they will do. This is an act of defiance.”

The certainty of retribution implied within the above statement seems exaggerative for merely flying kites, but this is the reality in Burin, a village that holds fast among beautiful rolling hills in the countryside of the northern West Bank, and which is also surrounded by three illegal Israeli settlements. Centuries old, with a population of nearly three thousand, the villagers of Burin have long cared for this land. They’ve raised their families here for generations, celebrated births and marriages, supported each other, grown and harvested ancient olive trees, with roots that symbolize the hundreds of years of Palestinian toil that connect the people to this land. This land that Israel wants so badly but will never have. Continue Reading

THE LAST WORD FESTIVAL 2019 REVIEW

by Carmina Masoliver

The Last Word Festival at The Roundhouse, Camden, merges various art forms that all centre on the spoken word – in some cases fusing with music, circus and cabaret. Established artists feature in the festival alongside younger, emerging artists; The Roundhouse supports 18 to 25-year-olds starting out in spoken word poetry (amongst other things) through the Roundhouse Poetry Collective, of which I was a member. Each show I see, I bump into fellow poets, for example, chatting to Toby Campion, we realise we both came through the Roundhouse programme.

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EDINBURGH FRINGE 2018 – PT 3

By Carmina Masoliver

The third and final instalment of a series of short summaries of a wide variety of performances, from the comedic to the dramatic to the bizarre, direct from the Edinburgh Festival Fringe. Each entry is preceded by the title of the work in question, and the venue(s) at which it is being performed as part of the Fringe.

Content warning: Mentions of racism, sexual assault.

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