REVIEW – CARMEN GASTROFLAMENCO

by Carmina Masoliver

I’m not usually one for instrumental music, or music where I don’t understand the lyrics. Perhaps as a writer, I cling onto the words to evoke feeling. Perhaps this is also the reason why writing about music proved to be truly ineffable on a ‘Words and Music’ module I took at UEA, leaving me with a respectively low grade. I have been to operas and seen classical orchestras, willing myself not to be bored, trying not to fall asleep.

Often, I pretend to myself that I enjoy these things, or that at least it was “an experience”. I don’t like to reject a whole genre of music, so that is not my point here. I wouldn’t desecrate classical music as a whole, yet believe that we all have particular music tastes. For example, instrumental band 65daysofstatic are able to provoke emotions and excitement without the need for words, to me. Similarly, I was recently able to enjoy a performance of flamenco in Córdoba, and it happened both while instrumental, and without understanding the lyrics.Continue Reading

GO-FUCKITIS

by Alex Valente

Original Italian by Anna Lamberti Bocconi (1961-), ‘L’affanculite’, which features in the collection Bastarde senza Gloria, published by Sartoria Utopia.

The go-fuck-itselfness of a life
of relais-relax, really quite quiet
when it wants to squirrel away
calmly ticking like a Rolex.
The go-fuck-itselfness of an evening
rusting wreck on the beach
crumbling like cocaine
as it bores the cartilage of hulls.Continue Reading

BITTERNESS

by Alex Valente

Original Italian by Amalia Guglielminetti (1881-1941), ‘Un’amarezza’.

A bitterness without word:
but absinthe and bile and venom
every bitter thing, from my bosom
gurgling to my throat stirred.Continue Reading