From the first to the third of December, university students across the UK will experience disrupted teaching, as University and Colleges Union (UCU) branches in 58 institutions go on strike as part of the union’s battles with universities over working conditions.
The chance to talk about a piece of Italian media that makes it onto the international stage, especially through a platform such as Netflix, is rare to come by; even rarer is for that media to be of any actual quality. It was with pleasure, then, that I sat down to watch Strappare Lungo i Bordi (Tear Along the Dotted Line), written and directed by Italian comics superstar Zerocalcare.
We sat down remotely with local artist Vince Laws to talk about his recent series of paintings, modelled and grafted on famous works of Western painters, for the now available exhibition Painting Myself Happy – part of the Together! Disability History Month Festival, taking place online from 11th November to 9th December.
The Times newspaper is at it again. Since the 1st October, it has been attempting to whip white British right-wingers into a fury by portraying freedom of speech as being in danger. According to The Times, students (read: white students) are falling prey to authoritarian demands that they accept “personal guilt” at St Andrews University. Odd, that only since it beat Oxford and Cambridge to the title of the UK’s top university, has the paper fixated on St Andrews’ supposed institutional villainhood like a rabid dog.
Thousands of people across Norfolk are facing financial struggle after the government cut the £20 a week uplift to the Universal Credit benefit in October. Although it was intended as a temporary measure to help with the economic effects of the lockdowns, it has become a lifeline for many.
It is estimated that 14,907 people in Norwich have lost £1,040 of their income with around 40% of them in employment. In June 2021 69,895 people were on Universal Credit in Norfolk alone.
South East London has given me a new found love for cinema. After enjoying the Catford Mews’ short film festival recently, I made a point of attending the Crystal Palace International Film Festival (CPIFF) in September. Since 2010, CPIFF has been bringing independent films to the big screen from across the globe, including short films, mid-length films and feature films of all genres.
Since its foundation in 2019, Wild Paths festival has quickly become Norwich’s premier multi-venue live music event. The hotly anticipated 2021 edition of the festival will take place over four days from October 14th-17th, with headliners including Sports Team, Biig Piig and Palace as well as dozens of other acts playing at over 20 venues across the city. With just over a week to go until the festival began, I spoke to Ben Street, festival founder and director, about his experiences of organising the event.
As the UK Labour Party conference fizzles to an uninspiring close, the party appears to be as divided and directionless as ever. Keir Starmer’s long, heckle-drawing speech fell short on setting out a clear agenda for the party, but was big on Labour winning, winning, winning.
The frame is divided into three sections, with the top heading – ‘United States of America In’. All three section has a United States Airforce aircraft, visually moving from one section to another. In the first frame, on the left, the US Airforce aircraft is coming in dropping weapons like assault rifles and stringer missile launchers, each attached to a parachute. They are being dropped to the ground where a sign board pointing ahead appears on which Afghanistan is written. On the top of this first frame, 1979 is written, to indicate the US support to the Mujaheddin in Afghanistan, who later formed the Taliban.
In the second section, in the middle, the US aircraft is dropping bombs on Afghanistan (a sign board is visible on ground) and on the top 2001 is written marking the US invasion of Afghanistan. The third and last section, with the text 2021 written at the top shows the US aircraft flying away with two people falling off the plane to the ground with a sign board ‘Afghanistan’ pointing back, representing the actual incident of Afghans, trying to leave the country after US withdrawal and Taliban takeover, falling off a US air force aircraft during take off from Kabul International Airport.
This year’s Last Word Festival at The Roundhouse has been a mixture of online and in-person events. Although I had hoped to be able to attend more events, and accessing the festival hasn’t been easy, it was a pleasure to listen to poets Cecilia Knapp and Alexandra Huỳnh in conversation as I tucked into my dinner at home.