TO BE A FEMALE PERFORMER – ABUSE AND HARASSMENT IN THE MUSIC INDUSTRY

by Tom McGhie

Content warning: sexual harassment, sexual abuse, misogyny

There are few greater feelings than when an artist connects with their audience at a gig, something more than just applause and guitar chords. Most people have, at some point in their lives, attended a gig which has stuck in their memory because of that very exchange between performer and public. This visceral communication is what propels music as one of the most important art forms; it brings people together in an ever-dividing societal sphere.

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RATS TO RICHES

by David Breakspear

CW: suicide

“Don’t do the crime, if you can’t do the time!”. In terms of reform and progress within our penal system, the proverb is about as much use as eating soup with a fork. For a start, how would you know?

Unfortunately, we do need prisons. Ever since Eve – reportedly – ate the forbidden fruit from the garden of Eden, crime has been in existence in human narratives. Crime, either directly or indirectly, affects us all; victims of crime or the family/loved ones/friends of the victim, perpetrator of crime, or, yet again, the family/friends/loved ones of the perpetrators. You may even pay higher insurance premiums due to crime. Crime affects all, therefore, crime is the responsibility of all, especially the prison system.Continue Reading

SORRY ANDREW SELOUS MP, BUT GYPSIES & TRAVELLERS WILL NOT BE ASSIMILATED

By Jonathan Lee

Meet Conservative MP for South West Bedfordshire, Andrew Selous.

Andrew recently took a break from opposing gay marriage, overseeing prison cuts, calling for benefits cuts for non-english speakers, and claiming disabled people work hard because they’re grateful just to have a job, and turned his attention to Romani Gypsies and Travellers.

On 13th November, he proposed a bill in the Commons to convert existing sites for Gypsies and Travellers into settled accommodation, remove any obligation on local authorities to build more permanent sites, and make unauthorised encampments a criminal offence.

He also added a bit about making provision for the education of Gypsy & Traveller children, which is nice.Continue Reading

LET’S MAKE 2019 THE YEAR WE STAND WITH THE TRAVELLER COMMUNITY

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By Sarah Edgcumbe

Gypsy and traveller families ‘hounded out’ of areas in act of ‘social cleansing’ as councils impose sweeping bans’ was the ominous heading of a story printed in the Independent last month. It may sound like a news article from 1940s Italy, but this demonstrates the alarming fact that antigypsyism is perceived by many to be the last socially “acceptable” form of racism in the UK today.Continue Reading

REBEL FOR LIFE: AN INTERVIEW WITH EXTINCTION REBELLION NORWICH

by Jess O’Dwyer

The Earth is our nurturer, inspirer and protector, yet we are actively and consciously driving ourselves towards her (and our) oblivion. Extreme weather is the new normal: we’re chopping down trees faster than we’re planting them and we’re still burning fossil fuels despite the common knowledge that they are damaging to the atmosphere and are causing our own children to struggle to breathe.

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UNA MUJER FANTÁSTICA REVIEW

by Carmina Masoliver

Recently I began to attend Spanish and salsa lessons at Battersea Spanish, where I got the opportunity to engage in their social programme, open to everyone. I particularly enjoy the film nights, which allow you to experience cuisine and movies from the country of origin. On this occasion, we ate Chilean food as the film was Una Mujer Fantástica, set in the capital, Santiago. Released in 2017, written and directed by Sebastián Lelio, the plot centres around Marina, a transgender woman who works as both a singer and a waitress. It is a tale of love and grief, underpinned by her experiences as a transgender woman and the transphobia she faces.

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PROPER MUSICIANS – AN INTERVIEW WITH SHAME

By Rowan Gavin

Scions of the much-lauded South London guitar band scene Shame made their Norwich gig debut on Monday, captivating a packed-out Waterfront with their riotous stage presence and uniquely mesmerising sound. At times unsettling, at times brutalist, always evocative – if you’re into your post-punk, past or present, you’ll have heard something like Shame, but nothing quite like the orchestrated noise of their live show.

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