There is an elephant in the room with Amie Marie’s mischievous comedy The Play About Theresa May: why publish a satire on May’s bungled and mayhemic term in government in 2021? When placed beside the burning wreckage of policies created by her etonian man-child of a successor, there is a risk of the text losing its relevance before you’ve even passed the cover. Marie navigates this hurdle gracefully, however; its name-sake target has been out of office nearly two years, but The Play About Theresa May is still an extremely timely exploration of political engagement in 21st Century Britain.
by Maud Webster
The 2017 Papua New Guinea election was fraught with allegations, violence and anger. Yet the object of the disquiet – Peter O’Neill – was still re-elected as Prime Minister. He represents the People’s National Congress Party, which has been rising rapidly in popularity over the past couple of decades. In 2002, they were in opposition with two votes, but entered government in 2007. Now, they hold twenty-seven. O’Neill has held the position since 2011 and just about holds it still, by obtaining support from minor parties and scrabbling together support for his party’s re-election. Following coalition discussions, his vote support margin stood at sixty votes to forty-six.
The election itself was blighted by disorganisation and electoral roll irregularities, in addition to initial dissatisfaction with O’Neill’s first term. Voters expressed concerns about the chaotic economy, rife with extensive borrowing. Whilst statistics show growth in GDP, growth has dropped from 13.3% in 2014 to a mere 2% in 2016.
The election itself was an appalling farce. Continue Reading