by Alex Valente
CW: racism, sexism, fascism
There’s an old home-grown metaphor that runs in the Italian side of my family – which may have been acquired by my great-grandfather through his context and peers, I just have never heard it anywhere else – which goes as follows:
Italy is a watermelon. The thick, green skin on the outside is democracy, the Republic. The thin white layer that keeps everything inside together is the Democrazia Cristiana (Christian Democracy, the centre party that governed Italy after WWII, and the ancestor of pretty much all centrist politicians since). The red pulp is the Socialist, Communist heart of the country. But the seed, the black seed from which it all grows – that’s Fascism.
by the UEA Young Greens
In the midst of multiple crises faced by students, universities and schools, the outcome of the snap general election will be a major indicator of the future of the UK education sector. Each week until the vote we are featuring perspectives from our regular contributors and guests on what the election could mean for students.
On June the 8th the country will head to the polls for Mrs May’s snap election. This election has been called because, in a remarkable display of hubris, May and her Tory cohort expect to win a huge majority so she can continue to pursue her campaign of cuts whilst also pushing for a Hard Brexit. If they’re right, the future looks rather grim.
by Alison Graham
Content warning: mentions violence against women, rape.
Britain has the greatest area of land dedicated to the indefinite detention of human beings in Europe. This is legal.
A former inmate looks at the place in which her back was physically, literally, broken and says don’t give up. Women thread flowers through this border within a border within a border. The border is admitted only by the letters IRC. Green paint flecks cling to the toes of your boots. On a hill do not question whether the people with the kite-fluttering hands can see you.
Is it rare to recall dreams. Where can I find this on gov.uk. If the guards are rapists what does that make the walls. How do you resist the lines you were born the right side of. How do you resist. Can love and hatred happen at the same time, and transform you equally. Are there two kinds of hatred. How about three. How about in the same place, at the same time. And built into the container itself – the beige, the smallness of the windows, the low shade of the roof, the two fields away from the road where no one is living. How are you. Do you need water. Can you read the sign from that window. Is this your first time. When will we deport Theresa. Is there a postcode for here. Have they repainted the fence. Is it really violent to kick it so that it thunders. Who is bringing the smoke flares next time, and in what colour. Do you need water. How do you resist. Is it violence when your window looks over an unreachable place, when that unreachable place is so blooming. Is it when everything is glass and unbreakable. What is the consensus on winding yourself at a border with a child’s party toy to say in a way I make noise therefore you are. Are there two kinds of hatred. How about four. How about one for each piece of sand on a beach in southeast Europe. Do you need water. Is this your first time. Is it violent. When this is all over, will people laugh at the theory of lying flowers on a has-been border, as if it were a wrist.
Featured Image credit: Jan McLachan
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by Laura Potts
As a fine art student, I spend my time surrounded by others engaged in creative practices or on creative career paths. However, as I’ve progressed through the first year of my degree I’ve noticed a major stigma attached to these paths. Even within my own arts university there is a perception that fine art students are less ‘realistic’ than those on other creative courses in the university, like graphic design or fashion. This perception, usually held by people who haven’t taken the time to ask fine art students and other creatives about our work, has spread widely through society. Modern artists do not warrant the same level of interest and respect as the great painter-philosophers of previous centuries.
by Chris Jarvis
All eyes in the UK are currently on the snap General Election called by Theresa May earlier this week. Across the English channel though, another election, possibly with more seismic impacts for the future of Europe and the wider world took place today. French voters went to the polls in what has been an ever-changing and eye-wateringly close first round of their Presidential election. With 80% ballots counted at the time of publication, we now know that Emmanuel Macron and Marine Le Pen will be going forward for a second round run-off vote on May 7th.Continue Reading
by Hannah Rose
Vote only once by putting a cross (X) in the box next to your choice. My ballot paper reads like a lover’s ultimatum: Leave or Remain. There is no room on my ballot paper to explain, negotiate with, mediate between. All dialogue between us has ended. Now there is only silence lingering like the smell of damp coats.Continue Reading
By Olivia Hanks
Richard Murphy is in some ways an unlikely figure. A tax expert and former accountant, his views are resolutely anti-establishment: asked on air in 2012 to name the greatest threats to democracy, he responded “Deloitte, KPMG, PwC and Ernst & Young”. Yet despite having some vociferous critics (as you would expect for someone whose raison d’être is forcing the wealthy to pay their share of tax), his influence is now being felt: as the architect of country-by-country reporting, which requires corporations to publish figures for every country in which they operate so that it is clear when profit has been moved into low-tax jurisdictions, he has helped to create a framework for taxation transparency worldwide. Country-by-country reporting has now been adopted by the OECD and the EU.Continue Reading