20 BEST RADICAL MUSICAL RELEASES OF 2017

Posted on January 6, 2018 by Norwich Radical in Arts, Music That Matters and tagged 2017, albums, Algiers, Anarchy.ForSale, anti-venom, Autonomad, Beans on Toast, Benjamin Zephaniah, cypress hill, DSM GlobalCollective, enter shikari, featured, Flogging Molly, Ibeyi, In Evil Hour, jesus and his judgemental father, Joey Bada$$, Mala rodriguez, Martha, MTM, music, music that matters, Nas, Niholas Payton, ONSIND, Paloma Faith, Priests, prophets of rage, public enemy, pussy riot, rage against the machine, Red Wedge, release, review, riot grrrl, sleaford mods, SonicBoom Six, the undercover hippy, year.

by Chris Jarvis

It’s a common cliché that the quality and abundance of political and protest music is directly proportionate to the awfulness of the broader political landscape. The Vietnam War gave us the great American folk singers. The stagnation, unemployment and neoliberalism’s cusp of the 1970s bred punk. Thatcher’s Britain brought us the motley crew of rebels surrounding Red Wedge. The rapid and destructive spread of militant capitalism and imperialism at the end of the Cold War bore Rage Against the Machine. Apartheid in South Africa swelled a wonderful mix of pioneering sounds and firebrand resistance.

Unsurprisingly, 2017 was one of those years – a terrifying political context coalescing into a bumper crop of fantastic radical releases. So with a withering nod to the year that was and with a glint of hope in the sounds of revolution, here are the very best radical musical releases 2017 had to offer.
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MEANWHILE, BACKSTAGE IN SONIC BOOM SIX’S WORLD

Posted on March 26, 2017 by Norwich Radical in Arts, Music That Matters and tagged Anti-Vigilante, artivism, backstage, Barney Boom, Brexit, Capdown, commentary, costa, enter shikari, EU, gentrification, Ghould, Ghouls, gig, Great Britain, Imperial Leisure, interview, James Routh, King Prawn, Laila K, live, metal, Mobb Deep, Mouthwash, MTM, music, music that matters, Nick Horne, No Man No Right, O2 Academy, performance, petrol girls, politics, punk, race, racism, rage against the machine, Random Hand, Remain, series, show, ska punk, social commentary, Sonic Boom Six, subway, The Clash, The Specials, The Tuts, Truck Store, uk, Warped Tour, women in music, Zodiac.

Content Warning: Racial slurs, homophobia

by Chris Jarvis

A few minutes’ walk from the dreaming spires for which the city is famed lies East Oxford’s Cowley Road – the hub where ‘kids of the multiculture’ grow up. An area undergoing rapid gentrification, it still retains its working class heritage, ethnic diversity, and unique character under the strains of the expansionist middle classes settling, with students and university professors increasingly filling the nearby terraces.

Cowley Road is home to the O2 Academy. Previously the Zodiac, the venue is emblematic of other changes in the area – a corporate takeover of a formerly independent music venue. Across the road sit branches of Subway and Costa, but a little further down is the Truck Store – the pivot of the local independent music scene. Here, at Oxford’s O2 Academy, Manchester-born Sonic Boom Six get set to tear up the stage on a Friday evening. Continue Reading

THE 20 BEST RADICAL MUSIC RELEASES OF 2016

Posted on January 1, 2017 by Norwich Radical in Arts, Music That Matters and tagged a tribe called quest, Against Me!, anohni, austerity, b-real, chris t-t, chuck d, climate change, cypress hill, drone warfare, dubstep, enter shikari, far right, fascism, folk, folk-punk, fugazi, gentrification, Green Day, hardcore, hip hop, Kate Nash, Lobster, Martha, michael kiwanuka, mischief brew, Muncie Girls, obama, OPS, petrol girls, pop punk, post-hardcore, post-punk, prophets of rage, public enemy, punk, racism, rage against the machine, rap, refused, reggae, reggae punk, Saul Williams, Ska, ska punk, sleaford mods, slyvia plath, Solange, Sonic Boom Six, soul, suffragettes, surveillance, taj weekes, The Selecter, The Tuts, tom morello, war.

By Chris Jarvis

Yes, yes, we all know that 2016 has been an unmitigated cluster-fuck, with rising fascism, worsening humanitarian crises and intensifying conflict. In moments of darkness, many of us turn to the arts world – especially music – for comfort, for release, for explanation. With David Bowie, Prince, George Michael, Glenn Frey, Paul Kantner, Maurice White, George Martin, Phife Dawg, Erik Petersen, Leonard Cohen, Nick Menza, Greg Lake, Sharon Jones, and too many others all having passed away, many have found music to have also fallen on dark times.

That notwithstanding, 2016 has been a year of some undeniably and uniquely brilliant music too, especially music that espouses messages of a better world, of political analysis, of radical alternatives. Here are the 20 best of those radical releases from the past year.

KNOW YOUR ENEMY – AN INTERVIEW WITH JAKE OF SHOCK ! HAZARD

Posted on April 3, 2016 by Norwich Radical in Arts, Music That Matters and tagged ac/dc, Beyonce, enter shikari, Green Party, jeremy corbyn, justin bieber, Labour, labour party, led zeppelin, motley crue, music, music that matters, one direction, owl sanctuary, people's assembly, politics, rage against the machine, rock, rock and roll, steel pulse, stop the war, Taylor Swift, The Clash, x-ray spex.

By Chris Jarvis

For most, Norfolk boys Shock ! Hazard will appear as something of an antilogy. Their sound and aesthetics are clearly rooted in and influenced by early heavy metal pioneers like Led Zeppelin and the less flamboyant hair metallers of the 1980s – thumping riffs, extended guitar solos and screeching vocals galore. More than anything, this sound and this scene has been known for its bone-headed hedonism, its sex, drugs and rock ‘n’ roll attitude, and the carefree and unrestricted antics of its participants; hardly the place you go to find revolutionary calls to action or heavily politicised lyricism. Putting aside the question as to whether participation in a counter-culture is an inherently political act for a minute, unlike other musical movements, from punk to folk to hip-hip, this straight-up, hard hitting, in your face rock and roll, has made its name in part for being almost overtly apolitical.

VOICES OF HOPE COMING OUT OF THE DARKNESS – AN INTERVIEW WITH JOHNNY DOOM OF POLICE BASTARD

Posted on March 7, 2016 by Norwich Radical in Arts, Music That Matters and tagged conflict, crass, crust punk, doom, enter shikari, hardcore, johnny doom, king blues, metal, music, music industry, music scene, music that matters, musician, police bastard, politics, punk, subhumans, thrash metal.

by Chris Jarvis

For anyone of my generation who group up in the Midlands with a taste for alternative music, Johnny Doom is something of an icon. Tuning into Kerrang Radio (when it was still broadcast on FM), it was the dulcet tones of this Brummie legend that would really excite, much more so than even the anarchic Tim Shaw or the esoteric Nick Margerisson. Unsurprisingly, he has won accolades for his wry radio conversations, being named Brummie of the Year in 2008.

But Johnny has a long history within music outside of his radio work. Becoming active initially in the late 1980s in the influential Crust Punk band Doom, Johnny went on to form the less acclaimed, but equally important Police Bastard, who fuse a raw and brutal aggression with thrash metal riffs and hardcore compositions. Encapsulated within that sound is an anti-authoritarian politics which is evident even from the band’s name. Because of this, we decided to talk to Johnny Doom about his politics and the role it plays in his music as part of our series Music That Matters.

enter shikari

20 BEST RADICAL MUSICAL RELEASES OF 2017

THE 20 BEST RADICAL MUSIC RELEASES OF 2016

KNOW YOUR ENEMY – AN INTERVIEW WITH JAKE OF SHOCK ! HAZARD

VOICES OF HOPE COMING OUT OF THE DARKNESS – AN INTERVIEW WITH JOHNNY DOOM OF POLICE BASTARD

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