A decade and a half into the 21st century, many believe that the metamorphosis of student into consumer is complete. The student activist and the radical student movement are consigned to history. Despite the hiccup of the anti-fees protests in 2010, the modern student is more concerned with getting their money’s worth in education than they are about changing the world.
So some would have you think. Over the two years since the first run of this series, the student movement has grown further in depth, diversity and scope. This new set of articles seeks to explore the student campaigns that are redefining our time: what they have achieved, what they mean for the student movement, and their impact on the Higher Education sector as a whole.
By Maria Cooper
I went to university in St Andrews, Scotland. Well, in a sense I went to two – the old conventional institution you’ve heard of, and the far more inspiring Transition University of St Andrews. Transition started out for me as something I just did to survive – it was cheaper to grow food than buy it, cheaper to swap clothes and books than buy them, and being outside planting trees or mending bikes was a life-giving contrast to the stuffy library and theoretical learning that otherwise filled my days. Besides, many of my friends and I often felt that sort of depression so prevalent among students. What difference am I making in the world? Who cares about yet another essay, being read by one tutor and then put on the pile of student pride or shame never to be looked at again?
In times of national or personal struggle, we have long since turned to our favourite books, records or films for companionship and reassurance. We find comfort in these creative endeavours – the note of a song or the rhythm of a sentence – that often mirror the nuances of daily existence. Yet, whilst we use these tools of communication, we have yet to fully support them with our time, interest and money. With authorisation from government officials, local authorities have seen their arts funds and budgets cut consistently since 2010. Consequently, libraries, art galleries and museums have been affected most, with numerous closures occurring across the country.
by Rowan Gavin
A couple weekends ago I was lucky enough to find myself a guest at the wonderful Edinburgh Student Housing Co-operative. Outside, the outlines of all my hopes and beliefs in the good student co-ops can do stood tall before me, made visual, physical as two blocks of flats facing a green expanse. Up steps, inside, and the lines flashed full with the colour and life of possibility made real. A brief first encounter – tea with friends, then out again for an evening social.
After five days at Edinburgh Fringe Festival, I’ve taken a pick of five Feminist pieces to review. Known for the extensive comedy programme, three of these are comedy acts, and then I’ve thrown in some poetry and theatre for good measure.