by Josh Wilson
On Sunday a group of protesters threw paint and cereal at a café in Shoreditch called ‘Cereal Killer’, which only sells bowls of cereal. The reasoning for this demonstration, which also hit a letting agent, was an opposition to gentrification in the area. Gentrification is when house prices in an area rise and richer people start to move in, increasing prices further and pushing less well-off inhabitants out of the area. A key example of this is Stratford, transport links and infrastructure was improved for the Olympics pushing up prices and pushing out many residents.
But was targeting a café justifiable?Continue Reading
by Carmina Masoliver
Sunday 8th February saw the launch of The Bechdel Test Fest at Genesis Cinema in East London. The test itself emerged after Alison Bechdel published a comic strip, inspired by friend Liz Wallace, where one character has a set of rules for watching a film. The criteria for passing the test are whether the film has two named female characters who talk about something other than a man. It is widely acknowledged as an extremely low bar.
Set up 30 years ago now, it seeks to address the gender bias in works of fiction; it has been found that just around half of films pass this test. With such a low bar set, the figure should be closer to 100%. This festival, led by Corinna Antrobus, puts The Bechdel Test in the spotlight, and aims to provoke discussion on gender in the film industry. In an effect to ‘reclaim the rom-com’, the launch event featured 2014’s Obvious Child and classic The Philadelphia Story — though I couldn’t stay for this part. After the first screening there was a panel discussion, including a video statement from Chloe Angyal about a statement she made that there is “no such thing as a feminist rom-com”, arguing that this is largely because society is still sexist.